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"I think I've lived long enough to see competitive Counter-Strike as we know it, kill itself." Summary of Richard Lewis' stream (Long)
I want to preface that the contents of this post is for informational purposes. I do not condone or approve of any harassments or witch-hunting or the attacking of anybody.
Richard Lewis recently did a stream talking about the terrible state of CS esports and I thought it was an important stream anyone who cares about the CS community should listen to. Vod Link here: https://www.twitch.tv/videos/830415547 I realize it is 3 hours long so I took it upon myself to create a list of interesting points from the stream so you don't have to listen to the whole thing, although I still encourage you to do so if you can. I know this post is still long but probably easier to digest, especially in parts. Here is a link to my raw notes if you for some reason want to read through this which includes some omitted stuff. It's in chronological order of things said in the stream and has some time stamps. https://pastebin.com/6QWTLr8T
"The last month has convinced me, that we are going to be heading into a dark place for Counter-Strike esports in 2021."
"I think I've seen the scene essentially kill itself."
"For the past 5 to 6 years, we've basically been in a holding pattern of people coming into our game wanting to run it, wanting to run all of the esports and wanting to profiteer and its been sort of a concerted effort to drive them off and push them away."
"We're spread way too thin."
"If Riot don't get involved and stop the scumbags that have moved over to Valorant from getting their feet under the table, Valorant is going to have real problems."
RL thinks too much has happened all at once for us to do anything except watch it play out, like:
Recent CSPPA strike against BLAST
ESIC failures and them not being supported enough
Teams cheating i.e. coaches/bugs
Widespread match fixing
"People who try to hold bubble events are so incompetent and fuck up and people get the 'rona and its their fault."
"People who say Flashpoint is a bubble is full of shit and is a lie and people are now suffering for that lie."
"To save money they let people go home and break the bubble for a week."
"Not just Flashpoint peoples decision, they have a partner that handles the production." (hinting FACEIT)
"People are trapped in hotels essentially under house arrest because of COVID restrictions and has fucked peoples lives up."
"It's all too much, all of this incompetence, all of this greed, maybe we ride it out."
RL says he has talked to the Riot devs (the ones working on Valorant) and says, "They are so cognizant of all the fuck ups and all the problems we have in Counter-Strike."
He continues to say that this is factored into their business plan and that we never had a competitor, but just so happens to have one coincide, when we are at our worst.
CSPPA - Counter-Strike Professional Players' Association
"Who does this union really fucking serve?"
RL believes that the CSPPA is a mockery.
He points out the hypocrisy that they wouldn't strike for the pros who were kicked out of ESL Pro League, or for Jamppi or dream3r.
He also says ESL paid CSPPA and are racketeering and many other TOs have to pay them to get their "seal of approval"
He says they would strong-arm TOs saying "well if you don't give us the money, these guys are so we'll just have to commit to playing their event."
Also points out that they will strike against a competitor they are not in agreement with (Flashpoint)
RL: "It's what it says about every other time you haven't done it and it's about every time you don't do it now moving forward." "The issues they've chosen to ignore this year alone are embarrassing."
Then he points out that there was no strike for Valve qualifiers even if we have no major but Jamppi and dream3r can't play in them.
"and Valve have said 'Oh yeah we know actually their stories are accurate, Jamppi didn't cheat, now in a legally binding document. Yep dream3r did have his account hacked in a LAN café', but they still can't play. Where is the fucking solidarity? Gone. Doesn't exist. It's not important [because] it doesn't affect you." "That's what the union does right now, it looks after all the tier 1 people."
He says the CSPPA doesn't represent all players all the time and has driven a divide where you have the haves and have-nots
"We have a tier of players that operate with impunity and do not help their tier 2 or tier 3 players out at all." "If you are not a tier 1 player you do not matter, they don't event ask your opinion."
He tells chrisJ to admit and own the fact that the reason he didn't speak up during the ESL Pro League debacle is because it didn't affect him
"They are looking after some players at the expense of other players. How the fuck is that a union?"
He says the BLAST situation is a reasonable dispute and supports the players but is not the right time for a strike and have not even identified the correct enemy
He thinks players are lashing out now due to previous incidents and are upset that BLAST are working with ESIC
He stated that CSPPA shouldn't beefing with ESIC and they should be working in harmony
He says what they need to do is talk with the teams/organizations that have sold that right to BLAST
RL: "Your employers, the people who pay you that massive exorbitant salaries, when you don't stream and you don't do interviews and you offer no value beyond your ability to click heads and you get 25k dollars a month." "Why don't you talk to them about it? Oh right. You're happy to take away BLAST's paper, but you don't want to risk your own."
"I am seeing such unbelievable cowardice from the players here with the battles you choose."
"Where was the strike action when in the qualifiers for the world championship, there were teams and players engaged in huge conflicts of interest?" "Where was the strike action when your image rights were taken and sold to every league you've ever been in every union type organization you've ever been associated with like, WESA, to your org every time you sign a contract, to the leagues you play in."
"Your image rights are essentially worthless now, there's about 10 fucking separate parties that have them, and how many of them are giving you anything for it? Not much pretty much your org by the way."
"That's a big issue. Your image is you, your image is your brand. What are you doing about that? Nothing."
He is also angry at SirScoots who is "popping off" at people on Twitter who all want the same thing, which is 'A unified Counter-Strike scene for everybody, that works for everybody, that has a sustained ecosystem that nourishes everybody.' "We don't have that now."
He also says their rankings are a joke
"Just so happened, oh look TACO, that very important prominent member of the board, we pushed his team artificially up when they weren't even in the fucking top 20, not by a long shot."
He also says the ineptitude of the CSPPA cost Flashpoint a monitor sponsor
"Is it really a player association or is it like a fucking agency at this point"
ESIC - Esports Integrity Commission
"They have been put in an impossible position."
RL says that Ian Smith, the founder of ESIC and who was done work in mainstream sports, is a good and honorable man who has dedicated his life to integrity and sports. He takes on both sides, ensuring match fixers are punished, but also doing appeals and ensuring those punishments were fair.
"ESIC is a tiny organization" and are in need of money, "They didn't run a grift like the CSPPA did."
"Saying 'you want our support and you want the players to turn up you better pay us.' They don't do that."
"Had startup seed money from MTG and since then they've been pecking shit with the hens."
Ian Smith made sure that the money given by MTG (Modern Times Group, parent company of ESL, ESEA, DreamHack) was nothing more than startup money and wouldn't be in debt to them
Ian Smith sat down with other TO's not part of MTG and wanted to partner with them. They declined and called ESIC "ESL spies and we will never align ourselves with you"
"They only were just able to afford, hiring a PR guy on a full time salary to deal with the press and send out those releases you've seen, this year."
"They have a tiny group of staff investigating these things and they have taken on the biggest problems in our scene: the cheating, the match fixing."
ESIC have had "unprecedented levels of cheating to deal with, because there's something wrong with our scene ever since we went online. There's something wrong with it, everyone's lost their fucking pride and self-respect and they got no passion for it anymore, so they think fuck it, what's in it for me?"
He calls out coaches who are talking about players rights when they would rob and steal from them.
Also says more coaches being banned are coming
He also points out flaws in community's reaction to the punishments to coaches bans: "Half of the cunts still have jobs and some of the cunts got new jobs. We didn't even shun the cheating coaches."
ESIC have "found I think another 2 or 3 exploits like that one and they are investigating them all right now, it's going on right now."
"I know that there are going to be more names getting banned, again."
"So they're doing that on a skeleton crew while, investigating 3 continents worth of match fixing in MDL and semi-pro level CS." "They're doing this with half a dozen people." "They don't have any money or any help. People barely even fucking cooperate with them, they are treated like pariahs. It's ridiculous."
"Why are the CSPPA popping off at ESIC on my Twitter timeline, when you should be working together." "because its all about what's in it in for me." "2020, the online era of CS: 'What is in it for me?' How can I cheat, how can I get my paper, how can I bleed this scene one last time before I fuck off and play shooty shooty bang bang Riot Games babys first fps."
RL says that in the CIS region, teams have gone to tournaments and have been eliminated multiple times by the same team. We found out they were cheating and those players who lost, have been cut from their roster, careers ended because of cheaters.
"They're all at it in the online era, they're all at it, they're all cheating, they're all using exploits, probably that see through smoke bug got used a bunch of times"
RL talks about how there is no integrity from dead (the player), always denying when caught doing something
On the topic of 'BLAST never said we couldn't stream snipe': "Lies, BLAST never said you could do that, they had to sort of retcon it." "because what happened after that they fucking started snitching and squealing"
"Suddenly you had like, 10 of the top 15 teams in the world, staring into the abyss of being banned for 6-12 months in line with ESIC recommendations."
He says that ESIC was put in a tough situation and couldn't enforce the bans because it would have resulted in killing CS. What resulted was, BLAST, ESIC, and teams came together and gave them a warning and told them, in RL's words "don't do this again or you're gonna get got."
He then says the top teams brushed this off and didn't give a fuck
The new MiBR team playing Flashpoint, that wasn't involved in the previous incidents are doing it again (stream sniping). He gave credit to Flashpoint for the quick resolution and punishment and respect for cogu's response to the situation.
"ESIC came out and said, once more, 'Guys, zero tolerance from now on.'" RL then got upset at community's reaction calling ESIC "pussies" for their non enforcement and said if we want competitive CS we cant ban the top 10 teams.
He points out how players have no integrity and will do anything for an edge as long as they won't get detected or banned or it's within a grey area.
"All of this shit was mad avoidable, even in the pandemic era."
He talks about why aren't we filming them. Why aren't there representatives for leagues and tournaments making sure players aren't cheating?
"How many years have we let our scene be fucking pillaged by these greedy cunts?" "We just let it happen."
RL says that gambling and skins betting which existed in moderation was "accelerated and blown up by the Call of Duty greedy fucks."
"Never forget TmarTn was on the board of EnVyUs." "His website, CSGOLotto, they had a bunch of off-the-books sponsorships." "NBK promoted them. People forget."
"Those people who had access to the skins, go to the players" "Even people like s1mple, best player in the world, even he scammed knives and skins off fucking fans."
Owners of skin casino sites would approach pros and lend them skins to use in tournaments and possibly keep them after reaching a deal
Players would tip off inside info about matches and teams in exchange for skins. Info such as: roster changes, how they played in scrims
They would use this info to bet and subvert the odds on their sites. "That happened religiously, I can't even tell you how many times it happened."
"I had access to the biggest database of information, from an inside betting circle in NA, and it would take information and screenshots from other pro players, who were feeding them info in exchange for money or skins."
"Some of these players are still playing." "Incredibly, there are players still in the CSPPA today, complaining about the BLAST recordings, that were embroiled in this murky shit back then."
RL also says that there were tournaments where teams contrived with each other, who should throw, who should win.
"There's a handful of people that are trying to fucking clean it up, and you think you get something over the line and you see something like the CSPPA and it's run by corrupt fucking chuckle heads, and now you've got another corrupt body you have to fight on a fucking daily basis, it's demoralizing."
"It's too far gone. Our entire semi-professional scene is compromised."
"It's rife guys, I'm not going to lie any more. It's not just China, it's not just Russia, it's here, it's NA, it's Europe, it's Australia, so much more than you think, so much more than we can prove."
"I get sent chat logs all the time […] and they're morons, these players, short-sighted, amateur, morons and they're doing it on WhatsApp." People would get cut from the bets because they want to make more money, then they leak the logs. He says, from the chat logs, they spread "little" bets across every site they can (400 to 1k dollars) to prevent shifting odds
He says the scumbags who've fucked off to Valorant will do the same there if Riot doesn't do something and says Valorant "is an esports scene heading for a very early fall based on the sheer volume of scumbags that are already there."
"That's tier 2 CS in a nutshell these days. They know they're never going to play in a major, so what's the punishment?"
"All of these tier 2 fucks that are fixing games now they are like the fucking mafia compared to iBuyPower" "These guys are working with organized criminals to fix entire seasons worth of games. That's what's going on in your tier 2 CS."
"I'm literally being told that there are players fixing games at all levels of Chinese esports and motherfuckers with guns are turning up to team houses and stuff."
"Everyone in NA has left we've lost a continents worth of support during this pandemic and Valve haven't said a fucking word."
RL says the Call of Duty "goblins" that destroyed CS for years are the same people who are now trying to leave CS. "The nerve to treat a game where the fans, and the community, and the TO's were nothing but good to you." "To just kick the players out now and go and leave and say 'It just doesn't make financial sense.' Oh you'll slither back when we have a major though for them stickers won't you."
There's a cascading effect in NA where people don't bother with CS anymore and people like Chaos suffer.
He says NA team owners are incompetent for always wanting it easy and always wanting a guarantee on their investment without skill or nuance.
RL says he would be able to market a team correctly and would have a good ROI and also points out how TSM wouldn't even be bothered to tweet that their team, which was one of the best in the world, was playing at the Major.
He also says not all NA owners are like that, compliments and respects Jason Lake who nearly lost everything to keep Complexity going.
He then calls out the incompetence in Infinite Esports when they acquired OpTic Gaming and bought an Indian CS team.
He says HECZ is not to blame here and that they couldn't tell forsaken was cheating when it was so obvious.
They measured his reaction time to the likes of dev1ce and s1mple
When an enemy showed up on his screen he won that duel something like 44% of the time
"was like the number 1 player in the world statistically"
He brought a laptop to their bootcamp and refused to use the high end PCs that hey provided
He respects Andy Miller (NRG CEO) and HECZ but says that the attitude of not being able to easily monetize their teams is "piss weak" and there needs to be a risk.
He says Chaos EC shouldn't be cutting their roster and should be competent enough to be able to figure out how to make money off their team.
He says there are still opportunities in NA and people are panicking and pulling out, and says Valorant will be the same if not worse.
He also says "bums" who couldn't even get out of groups in NA competitions, are making crazy money in Valorant and says it will continue to inflate.
He also said that he heard rumors that EG (Evil Geniuses) are done.
He also thinks that the rumors of a Valve franchised league from before was sparked up from "these lazy fabled weak NA fucking team owners basically trying to see if Valve would bite at the hook if it was dangled and they didn't"
Slasher says NA team owners are really in favor of franchised leagues because they want to make more money. "Most of the powerful team owners right now are on board with ditching this third party organization structure, or they are trying to play this power politics with all the TOs, and that is contributing to a lot of the problems there"
RL says that Riot has proved they can run a franchised league (LCS) and will be profitable in 2021 which is what a lot of team owners care about and says the competition will only serve to snatch people away from CS.
RL continues to say, "I am so sick and tired of what we have done to this scene, I am just exhausted with it." "I think we have legitimately fucked it, I really think we have. I think we're staring into almost like a CGS (Championship Gaming Series) wasteland in NA." "Counter-Strike esports is a fucking joke."
"TO's have treated CS talent like absolute human garbage for years now."
RL says that people like Sean Gares and ddk switching over to Valorant isn't for financial reasons because they are making less over there.
He points out that TO's can't even give talent a 3 month in advance calendar.
Because of the pandemic TO's won't hire certain people and some people are working more hours for the same money.
He says we as a community don't respect journalists enough which is why we don't have good journalists.
He also says DeKay is leaving the scene soon and that Thorin is close to leaving also
He says he had to talk a caster down from quitting and was struggling to find reasons.
He says that DreamHack told Vince they would hire him but not if he wants to stick with dusT and says that this is the norm in esports. "Constant leveraging of people against each other." and says this is why we don't have a talent union.
New gen casters are getting put into shit situations and the community's reaction to them is adding fuel to the fire
He says the reason Moses left was because of the terrible conditions
He says that Anders had to constantly leave his family and kid because someone fucked up or broke promises and had to constantly tell his kid to their face that "daddy can't be home this weekend."
He says that esports has always been a lie to sell you this dream, "Meanwhile there's about 2% of the cunts getting all the checks."
"Anything that Riot does, is better than Valve's inaction"
Slasher says that the larger aspect of esports as a whole compared to other entertainment mediums and Valve's lack of inattention are the bigger problems. He continues saying that the fact that Valve let their game be ran as an esport, they need to take on the responsibilities of it.
Both Slasher and RL wants Valve to take control but not on the level of Riot Games, there needs to be a balance.
In case it was ever a question: Gabe Newell has been to 0 CSGO Majors.
RL calls Valve out saying they could have done something during the gambling era.
He says Valve used to come to the majors, but doesn't think they do anymore.
RL had met with Valve at the Cluj-Napoca Major and had tried to appeal iBP's indefinite punishment and had also gave Brax's life story:
A recent family member passed away, they had lost a lot of income, they had to live in trailer, iBuyPower did not pay any salaries, and was pressured by family to make money who didn't support his career.
RL said that Valve told him, "How dare you try and make us feel guilty." "We shouldn't feel bad about enforcing the only thing that matters that we need to make players afraid of: cheating and match fixing"
RL also tried to share other info about match fixing and nothing came of it
RL points out that Source 2 or a new engine is not something you will want based on the experience of transitioning from CS 1.6 to CS:S. "Valve's track record with brand new engines being launched, not fucking great from what I remember."
Slasher says "If there is anything the community should do, is pressure Valve to hire a community manager."
They say that we need a commissioner, a community manager (not the person who runs the Twitter who posts memes all day), then we need to have a circuit
RL reiterates that Valve doesn't care about CS esports and says they need to change the culture at Valve to make them care about CS esports
Slasher says a systemic problem is making it so working on CSGO would be a bad decision for you as an employee for Valve
He also hasn't talked to Valve in ages and have sent over bugs and cheats and doesn't get emails back anymore
Slasher says we should be directing attention at the developer leads, pointing out Ido Magal, if he even is still the project lead
RL thinks that Ido and Brian are the only people that "vaguely even give a fuck about CS" and were the only people that RL recalled that actually read Reddit and paid attention from time to time
"It is really fucking precarious. Somebody has got to step the fuck up and start giving a shit"
Slasher suggests org owners, with CSPPA, with ESIC, with TOs have a concerted effort against Valve
"Riot Games are doing better things than Valve in the esports space" which is something RL didn't think he'd say.
"People who used to be talent, working with unions, arguing with other talent, when the unions fucked them over, can't understand their perspective, TOs fucking over broadcast talent, broadcast talent wanting to leave and go and work for orgs, orgs having no money, Valve might take coaches away because all the coaches are cheating, ESIC has about 4 people in a fucking call doing the investigations, everyone thinks they're spies for ESL, ESL are just the evil fucking overlords wanting to rule the scene and will just somehow, like cockroaches outliving a nuclear bomb, and Valve are in a fucking holiday in Hawaii thinking about the next Dota character because they don't give a fuck about us."
"We've peaked. If we want to sustain and exist, now is the time to figure it out. No esports lasts as long as this, we've already done 8 years. We've already broke the records. We have got to figure out a way to coexist and drive the negative forces out and we need to do it as a collective and we're not doing that."
RL compared the Counter-Strike scene to the people on the Titanic who ran around with guns robbing people while the boat was sinking.
"We have given up on being a respectable esports scene." "We are now a conduit to make money for those who want to just milk it, just have one last ride, one last roll of the dice. It's done." "What a fucking mess. What have we done to our fucking scene?"
"There's just too much self-interest driving all of this." "I don't see a way we stop the dominoes." "When it's that bad, when there's that many dishonest people that ESIC have to come out and say that if we punish them all there's no one left. What does that tell you?"
"How many opportunities have we had to clean house? How many times have we said, 'this must never happen again', and another scandal." "The entire skins betting operations was the biggest criminal conspiracy in esports ever executed and no one has been punished for it." "The people who could be driving that don't want to."
"Right now people are fans of those organizations because the scene has value. It is worth being a fan of Astralis because they are excellent at Counter-Strike. It is worth being a fan of s1mple because he is the best player in Counter-Strike, maybe the exception of ZywOo. If the scene is devalued, if the scene loses its meaning, those things lose its meaning too, and people will leave, people will stop tuning into the games. I have seen it happen in multiple esports, this is not my first time at the rodeo. I am getting big Brood War vibes right now and I don't like it."
"The role you play in all of this as fans, as viewers, as listeners, as consumers of esports content, it's absolutely imperative that you know who the good guys are. It's absolutely imperative that you use your voice. It's absolutely imperative that when things are bad, you know who, at least, is trying to make them good, and you have to apply your criticism to the right targets."
He continues saying it's no good in continuing to attack ESIC and saying how they are bad, ESIC have it hard
He says CSPPA are on the right side of the argument on BLAST but have been on the wrong side of many arguments many times.
"If you are not willing to stand along side the weakest member of the union, with the least amount of influence, and the least amount of power, then it is not a union at all and you shouldn't pose as one." "You wanna serve a bunch of special interest do it, everyone else in esports fucking does, but do not pose as something you are not." "We love the players. I've been fighting for players rights for as long as I've been able to, but the CSPPA is not what we needed."
"They are not applying the pressure to the right people, they are not fighting the right battles, they are not helping their weaker members."
He says what orgs have done by keeping or hiring coaches is bad. "When you give up on holding an appreciable standard, you've lost the scene" "Competition matters, rules matter, punishments matter, achievements matter, excellence matters" "If you start stripping that away, you have nothing" "You guys need to take that knowledge and apply it sensibly."
"Valve has sold you all down the river, they sold everyone in the esports scene down the river, tournament organizers are selling their talent down the river. Don't hate on them for sounding tired after a 16 hour day. Don't hate on them because the hype for a matchup they've seen for the 20th time in the past 3 months, they can't be as excited or it sounds contrived. Support your guys, they're there for you, these are your people."
"This community has got to start acting like one for the first fucking time. Just put the petty shit away, let's try and fix this fucking scene while we still have one to save."
"You can't rely on Valve, you can't rely on ESL, you can't rely on the CSPPA, you can't rely on anyone." "Once again, it's gonna be the likes of us, the amateurs, the people who give a fuck, rolling up our sleeves and grafting." "I'm old and tired and I don't want to have to do it again. People need to pick up the torch and do it."
"Like Michal did, like Dudenhoeffer did. You see something wrong, fix it. You see somebody doing something wrong, call it out. If you think something could be better, let people know."
"Vote with your wallets if you're not happy with the direction Valve goes in. If when we do get to the Major, they serve up another subpar, same old bullshit stickers and signatures package again, do not buy it."
"You're a powerful block and if you use it correctly we can fucking avert this disaster."
"I'm not doing another year in this broken, bust-up fucking scene, where everyone is miserable, everyone is broke, everyone is tired, and everyone is trying to fucking rob everyone else, blind, while the fucking people who are meant to be protecting you, are just fucking enhancing it and lining their own pockets."
"I'm not doing it anymore and you shouldn't want to do it either."
"I stand by every fucking thing I said. I mean it, because this game fucking matters to me, this scene fucking matters to me. I put my life into this, my adult life, and to see it in this state is fucking sad."
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Obey 8F Drafter
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[Let's Build] Attractions in a demon pleasure palace that aren't sexual
My players are going to be visiting the palace of a demon lord of pleasure who's more CN than CE. I want to show that despite his title, he represents all forms of pleasure and good feelings, not just sex. Also space in his realm doesn't work the same way as it does in the mortal plane. He essentially has an infinite amount of space to work with and can customize it as he pleases, so there are no size constraints.
A casino to feel the thrill of gambling.
A dining hall with an endless buffet that visitors are allowed to eat as much as they wish.
An idyllic beach with perfectly white sand to relax or play on.
An arena where gladiators brawl it out against each other. The point of it isn't to kill each other as much as make the battles look stunning to the audience.
A hotel with the most comfortable beds possible. Here anyone with enough money can enjoy a good rest after all the excitement.
A beautiful and well tended garden filled with aromatic flowers and sweet fruits.
A vineyard where exquisitely-aged wine can be produced just by pressing the grapes. (u/_SovietMudkip_)
An opulent concert hall where the best musicians of the realms perform (u/_SovietMudkip_)
A small, cozy looking wooden library, with a cushioned bay window where rain gently scatters against the glass and a cup of some hot liquid gently rising with steam. (u/QuietOracle)
An owl-bear hugging zoo. Go to sleep in the embrace of their soft down. (u/QuietOracle)
The room of sensory experiences. The room itself is fairly plain, with the main feature being long tables running the length of the room. On closer inspection there are fist-sized carved holes, each one holding a small round crystal... (u/QuietOracle)
A room with dozens of sacks filled with beans, lentils and grains where visitors can put their hands in and let the contents run through their fingers. (u/_WhiteCubeCat_)
A hag (or any other long nailed creature) giving visitors a scalp massage. (u/_WhiteCubeCat_)
A museum of little-known or long-forgotten art pieces, sculptures, and history. (u/MoonlightMancer)
A festival full of colors, music, and drinks. Everyone seems to love you, and you can’t stop laughing. (u/MoonlightMancer)
A hallway of endless doors. In each room is someone you know, complimenting you endlessly, sharing every positive, even begrudgingly jealous thought they ever had about you. (u/MoonlightMancer)
A hot spring/spa, with fluffy towels, those showers that are like rain with perfect water pressure, mud baths, and refreshing food and drink. (u/lionesslindsey)
A room full of people that constantly give you validation and laugh at all your jokes. (u/CountryJeff)
Never-ending line of gold chalices, crystal vases, silver artwork, and other valuables. (u/PutridMeatPuppet)
People who are “better” than you are marched in a stripped of their superior qualities. Beautiful people are disfigured and turned ugly. Wealthy powerful people are ruined and made to beg you for pennies. (u/PutridMeatPuppet)
Mass groups of people enter the room and tell you how they admire you and how wonderful you are. They stroke your ego and inflate your pride. (u/PutridMeatPuppet)
Servants do everything for you. Feed you, give you drinks, wash you, wipe your arse, etc. (u/PutridMeatPuppet)
You are given a wickedly barbed leather whip. A slave creature is bound to a post and you can whip this creature to inflict your wrath upon them as much as you desire. If the poor soul dies, another is brought in to replace them. (u/PutridMeatPuppet)
'Knight for a day'. The full experience; lance, shiny outfit, a squire, a trusty stead, a dragon and a princess/prince to rescue. (u/mr_earthman)
A magical version of a movie theatre, allowing you to watch all manner of stories, true and legendary. (u/Clickclacktheblueguy)
A moderately large pool where small battleships with tiny animated crewmen can be deployed in teams to shell and board each other for the audience's amusement. Honored guests can put their strategic abilities to a test against other players by directly giving orders to their ships, and in certain hours guests may even swim in the pool to live out the power fantasy of being a sea monster. (u/VIixIXine)
A colorizer-device that transforms any clothes/armoweapons/other gear to any desired hue you wish (as long as it doesn’t affect the workings of the gear) (u/PaigeOrion)
A grand screen, showing a nearly infinite number of (screen)plays from all space and time, including the show with the disgraced human paladin delivering a green baby gnome back to his home land through incredible odds. (u/PaigeOrion)
A tiara that allows you to experience the sensory experience of a black cat as long as you wear it and close your eyes. (u/PaigeOrion)
A plethora of small, multicolored blocks that will magically interlock with one another to render almost any architectural structure imaginable. (But don’t step on them barefoot!) (u/PaigeOrion)
A band of musicians who are the perfect musical backup for any performances. Alone, they are more low key, but no less skilled, playing haunting melodies of unknown origin. (u/PaigeOrion)
A massive walk-in closet where you can try in any clothes in any fashion you like. (u/Tezla44)
A "schadenfreude" theatre, with shows that rely on slapstick and cringe comedy. (u/Martinus_XIV)
A room designed to give you closure. When you enter this room, someone you loved and lost is there, sitting in a couch. The room feels vaguely familiar, but you can't place why. If Detect Magic is used, the room is full of magic (divination, transmutation, illusion) but the person seems like a normal person. You can chat with them for as long as you like. They behave just as you remember them, with the good and the bad. (u/ohsurenerd)
A theatre performing the most magnificent tragedies. When you watch the performance, you find yourself completely enraptured: you cheer when things go right, scream when something terrifying happens, and moan and weep at the inevitable horrible ending. When you leave, it feels like removing a backpack full of lead that you'd been carrying for so long you'd forgotten it was there. (u/ohsurenerd)
A room where there's a button, there's someone outside and it explains that if you enter there's a 50/50 chance of you dying or not, the room won't actually kill you and it's there just to make you feel the pleasure of near death experience. (u/SupremeGodDictator)
A massage parlor with the universes best staff pampering your every need as you receive the most relaxing massage of your life whether it be scalp, back, foot, full body, etc. Has the worlds fluffiest towels and robes to luxuriate in while you wait or if you simply want to sit in a comfy chair and enjoy your ache free muscles. (u/Blue_Mando)
An arena where you and your opponents heal near instantly, and you can fight endlessly (u/ellen-the-educator)
A reenactment of your greatest failures in life, but this time they turn into your greatest achievements. (u/CountryJeff)
A room with the world's finest works of art.... and a myriad of implements you can use to destroy them. (u/redrosebeetle)
A torture chamber with mages on hand to create illusions of the people you wish to torture. Or increasingly realistic versions of them, depending on the level of magic you wish to implement. (u/redrosebeetle)
A room full of gold and jewels you can roll around in, ala Scrooge McDuck. But woe betide anyone who tries to take a souvenir.... (u/redrosebeetle)
As you're walking through the gardens, a person comes up to you. They introduce themselves as an adventurer who's also here on a quest. They seem to be the same class as you, and they're incredibly attractive-- almost exactly your type. You immediately click and end up spending the day together, talking about everything and anything. You tell them things you've never told anyone else before. They understand everything you tell them, almost innately, but they're still impressed by your feats and your stories. The two of you find an empty bedroom and close the door behind you. It's perfect in its imperfections. In the morning they're gone. No matter where you look, you can't find them. (u/ohsurenerd)
A room lined with shelves and shelves of bottles and vials containing a crimson liquid flowing slowly (like a syrup), all with small labels on them. As you inspect the labels, you realize they've all got names on them: famous adventurers, kings and queens, great sages. If you drink one, you experience a selection of their memories as they experienced them: battles won, discoveries made, historical alliances and friendships being forged or broken... (u/ohsurenerd)
A room that turns anyone that enters it into a child. It is full of every toy imaginable (u/arual_x)
A tour of a chocolate factory. Kobolds work there, and the owner, who gives the tour, is a Metallic Dragon in Humanoid form. (u/arual_x)
A fortune teller who has a Deck of Many Things with only the good cards. If you in any way offend them, they will sleight of hand vs perception check slip you a bad card instead. (u/arual_x)
An island theme park of reanimated dinosaurs. The owner is a level 20 Necromancer called Hamm Johnand. (u/arual_x)
A Virtual Reality style game that allows you to battle horrible monsters over and over again without risk of injury physical. But still allows you to gain XP... (u/arual_x)
A perfect expanse of thick snowy ground. There is constantly a snowball fight going on. (u/arual_x)
A giant room full of mattresses where everyone immediately gets a wonderful massage. (u/Revanclaw-and-memes)
A room full of gold and exquisite things, from beautiful furniture to magic weapons (u/Revanclaw-and-memes)
A seemingly endless room where adventurers can drink a potion to grow wings and flit about to their hearts' delight (u/iriedashur)
An ordinary classroom containing the adventurer's childhood friends, enemies, and their most hated teacher. Upon entering the room, the adventurer discovers that they are invisible, and free to pull pranks as they wish (u/iriedashur)
A brightly colored room piled high with wrapped gifts, large and small, for the adventurers to open endlessly (u/iriedashur)
A purple and black dragon named Ace who cooks you garlic bread and cake. (u/sanorace)
A magic pair of goggles/glasses that simulate any “What if” question you pose to them. (u/lewiscann)
A magical weather room where you can ask for any weather for your pleasure (I love listening to rain) (u/lewiscann)
A room full of lounges with a floating slow burning piece of wood that warms the whole area, the piece of wood is so large you can see the flame spread through this piece of wood forever (u/lewiscann)
A room where you can bite your fingernails and they grow back instantly ( so you can bite them some more )(u/razenastie)
A room with incredibly weakened versions of powerful monsters. (u/Your_InsideMan)
A heist simulator where you always get away with the big diamond, chest, etc (thrill of theft) (u/reallyenjoyscarbs)
A sauna room with a central pillar. Inside the pillar is a chamber containing a magic stone which can detect the exact temperature preferences of those inside, and making each person feel said preference. (u/TgagHammerstrike)
An oval-shaped room with countless glass lotion bottles, with each smelling better than the last. If you look for a specific scent (no matter how rare), you'll certainly find it with the help of a goblin near the back of the room. (u/TgagHammerstrike)
A room that consists of A bunch of mortals so utterly jaded from years of plesure seeking that they need the hardest of drugs and the wildest of sensations to feel anything,with lesser demons feeding on their pursuit of euphoria. Think the emperors children from warhammer 40k. (u/TgagHammerstrike)
A buffet of the lids of yogurt/pudding cups to lick. (u/Hunter37594)
An olfactory room that reads your memories and replicates smells that remind you of your most joyous moments. (u/lecorbusianus)
A wildlife reserve for Druids to find new and exotic wild shapes. (u/lecorbusianus)
A room with musical instruments that you're able to master immediately. (u/lecorbusianus)
A room with a creature in a dark robe sitting at a table covered in maps and dice. He helps you play a strange game where you and your party make up characters that go on adventures while the robed creature acts as all of the other characters and determines new events. (u/Clickclacktheblueguy)
Stokes's Bristol Nightclub incident in detail (From: The Comeback Summer by Geoff Lemon)
IF YOU’RE LOOKING for a place where misadventure could begin, you can’t go past Mbargo. The nightclub’s streetfront is painted a purple so bright you’ll see it in your dreams. Strings of giant sequins shimmer in the breeze. Its phonically inventive name is spelt in silver letters that climb its three-storey terrace facade. Inside are strips of burning neon, a few booths, floorboards so marinated in drink that they have an ingredients list. Bristol is a student city on England’s south coast crowded with music and nightlife and street art. This is Banksy’s home town, and the tourism board suggests in rather strong terms that ‘you would be a fool not to see his amazing work firsthand’. The same organisation describes Mbargo as ‘intimate’, which is fair for a place where you can catch an STI standing up. Students cram into its modest dimensions while people with names like DJ Klaud battle for billing with £1.50 drink deals over seven sloppy nights a week. To get a sense of the story about to come, consider that it’s the kind of place open until two o’clock on a Monday morning, and that at two o’clock on a Monday morning, Ben Stokes still thought it had closed too early. The Ashes of 2017–18 had disciplinary bookends. It was after that series that Australia’s two leaders went off the rails in South Africa. It was a few weeks before that Ashes tour that England’s biggest star windmilled his way into his own disaster. In the early hours of 25 September 2017, Stokes and teammate Alex Hales were barred from re-entering Mbargo after a night out on the piss. A Sunday thrashing of an abject West Indies in an ignored series at the fag-end of the season apparently required ample celebration. After arguing with the bouncer and hanging about at the door for a while, they wandered off to find a casino in the hope of more drinking. They’d barely made it around the corner before getting in the middle of a conflict between four locals. As is said on the internet, it escalated quickly. The 26 September reporting was bloodless. Withholding names, police stated that a man ‘was arrested on suspicion of causing actual bodily harm’ while another went to hospital with facial injuries. England’s director of cricket Andrew Strauss separately confirmed that Stokes was the arrestee, adding that he had been released without charge and that Hales had gamely offered to ‘help police with their enquiries’. Administrators had a good chance of hiding behind that investigation, and the next day Stokes was named in the upcoming Ashes squad as expected. But that night the video emerged. Bristol student Max Wilson had shot it on his phone, then offered it to The Sun. What he thought was playing hardball was actually lowball: his opening price of £3000 was snapped up by a tabloid that would have paid ten times that. The Sun went on to make a mint by syndicating the rights worldwide. From a window above the fray, the vision showed six men on the street below performing the muddled choreography of a melee. One was right at the centre of it. One was waving a bottle, one dipped in and out, one tried to calm it. Two others floated around the edges. The central figure was unmistakable: red hair burning even in the streetlight as he launched into a series of blows against two of the men, falling to grapple with them on the ground, then following both across the street, swinging punches the whole way. Hales trailed behind, repeatedly and impotently shouting ‘Stokes! Stop! Stokes! Enough!’ The ECB could fudge issues that existed only in thickets of legalese, but not those captured in moving colour. Stokes was stood down from the next West Indies match, then suspended indefinitely. It emerged that he had broken his hand during the fight, something he’d done twice before while punching objects in dressing rooms. The response in Australia was fierce: Stokes was a thug, a lowlife, a selection that would disgrace England. It was not entirely coincidental that a ban for England’s best player would be handy for the Aussie team, but there was also a cultural split. In England, plenty of people still minimise pub fights as lads letting off steam. In Australia, heavy media coverage as a succession of young men were killed had inverted that tolerance. The discourse now saw any punch as potentially deadly and accordingly reckless. This was more poignant in a cricket context given that David Hookes, the dashing Test batsman and state coach, was killed in 2004 by a pub bouncer’s fist. The PR situation was bad for Stokes as details emerged of the injuries to the men he’d hit, and that one was a young war veteran and father. Stokes wasn’t officially removed from the Ashes squad through October but stayed behind when his teammates left, hoping for police to dismiss the matter in time for a late dash to Australia. His annual contract was renewed on the due date in case that came to pass. Then 29 October brought a twist in the tale. ‘Ben Stokes praised by gay couple after defending them from homophobic thugs,’ ran the headline. Kai Barry and Billy O’Connell had emerged. Not entirely out of nowhere: while Stokes had made no public comment, this story in his defence had initially been leaked to TV host Piers Morgan after the fight, as soon as the video appeared. Police body-camera footage played in court would later show that Stokes had given the same story to the arresting officer on the night. But no-one knew the identities of the fifth and sixth men in the video, and police appeals had turned up nothing. It was The Sun again with the breakthrough. Kai and Billy were perfect for a readership not keen on nuance. ‘We couldn’t believe it when we found out they were famous cricketers. I just thought Ben and Alex were quite hot, fit guys,’ said Kai, who was memorably described as a ‘former House of Fraser sales assistant’. The paper had the pair do a full photo shoot: layering the fake tan, showing off chest waxes, mixing Ralph Lauren and Louis Vuitton into a range of outfits. Their best shot had them standing back to back, heads turned to the camera, in a mirror-image Zoolander moment. Suddenly The Sun was the England team’s best friend. ‘Their claims could lead to the all-rounder being cleared over the punch-up and freed to play in the First Test in Australia next month,’ it gushed, then gave a tasting platter of quotes: ‘We were so grateful to Ben for stepping in to help. He was a real hero.’ ‘If Ben hadn’t intervened it could have been a lot worse for us.’ ‘We could’ve been in real trouble. Ben was a real gentleman.’ Would it be known forever as Kai and Billy’s Ashes? No. While the Bristol boys provided spin for Stokes’ reputation they didn’t influence the police. With charges still pending there was little choice – not given Strauss had previously sacked Kevin Pietersen for being annoying. Stokes remained suspended through the Ashes and a one-day series in Australia, and lost the vice-captaincy. It was January 2018 before the Crown Prosecution Service laid a charge. That charge surprisingly came in as affray, a crime that can carry prison time but is classified as ‘a breach of the peace as a result of disorderly conduct’. The men he had punched, Ryan Ali and Ryan Hale, faced the same count, charged as equal participants in a fight rather than Stokes being charged with assaulting them. Alex Hales was not charged, despite being seen in the video to aim several kicks when Ryan Ali was lying on the ground. Given the underwhelming standing of the offence, Stokes was cleared by the ECB to tour New Zealand, and kept playing until his trial in August 2018, which he missed a Test to attend. None of the three defendants would be convicted. The reasoning behind the charges was never released and was attributed vaguely to ‘CPS lawyers’. The service gave the case to Alison Morgan, a prosecutor of a class known as Treasury Counsel who usually handle serious criminal matters. Morgan had a scheduling clash and never ended up court for the case, but in 2018 and 2019 she would go on to win damages and admissions of libel from The Daily Mail, The Times and The Daily Telegraph variously for incorrectly reporting that she had been responsible for the inadequate and inconsistent charging decisions. Morgan’s successor on the case was Nicholas Corsellis QC, who on the first day of trial was permitted by the CPS to request two assault charges be added against Stokes. ‘Upon further review,’ claimed a CPS statement, ‘we considered that additional assault charges would also be appropriate.’ This was patent nonsense from the service that eight months earlier had chosen the lesser charge. Any lawyer knows that no judge will allow new charges once a trial has begun, because the defence hasn’t had time to prepare. But such a request could deflect criticism of the prosecution service by technically making the judge the one who disallows the charge. Working through the story from the trial and the tape is complicated. You had a Ryan and a Ryan, a Hale and a Hales, a Billy and a Barry and a Ben. You had several versions of events as to who knew whom, who was drinking with whom, who had insulted whom and who had merely engaged in ‘banter’, a word that in modern Britain has to do an unconscionable amount of lifting. The reporting had constantly mixed up the Ryans as to who had which injury, who was in hospital, who had played which part in the fight, and whose mum had which stern words to say about it. Let’s agree that from now Ryan Ali is Ryan One, the firefighter who ended up with a fractured eye socket and a cracked tooth. Ryan Two can be Ryan Hale, the soldier who scored concussion and facial lacerations. Mr Barry and Mr O’Connell are best known per The Sun as Kai and Billy. In scorecard parlance we’ll leave the cricketers as Stokes and Hales. Amid the confusion, Stokes and his lawyers built his case in a straightforward way. The UK legal definition of affray is ‘if a person threatens or uses unlawful violence or force towards another person, which causes another person of reasonable firmness present at the scene to fear for their safety’. That means it doesn’t account for violence that harms a target, but violence that might frighten a theoretical bystander. The wiggle room for Stokes was with ‘unlawful’, because the charge excuses violence in defending oneself or others. This interpretation hinged on the beginning of the video, where Ryan One waves a beer bottle about and takes a swing at Kai. The version from Stokes was that he was minding his own business walking down the street when he heard homophobic abuse. He intervened verbally and was threatened verbally by Ryan One – something that Ryan One denied but that couldn’t be proved or disproved. In fear for his safety Stokes had to nullify that threat by bashing Ryan One before it went the other way. He registered Ryan Two in his peripheral vision as another possible threat, and again had only one recourse. Stokes also had to convince the jury to disregard testimony from Mbargo’s bouncer that he had been looking for a fight. A solid lump of a man, Andrew Cunningham had not enjoyed his patron’s attempts to get back into the club after the bouncer declined an offer of a bribe. ‘He got a bit verbally abusive towards myself. He mentioned my gold teeth and he said I looked like a cunt and I replied, “Thank you very much.” He just looked at me and told me my tattoos were shit and to look at my job.’ Cunningham described these words as coming in ‘a spiteful tone, quite an angry tone’, and said that Stokes still seemed angry as he walked away. These were details the doorman had nothing to gain by inventing, but each of them Stokes denied. By his own accounting he had drunk a beer at the game and three pints at his hotel, then ‘potentially had some Jägerbombs’ along with half a dozen vodkas at the club. He insisted that after all of this he was not drunk. If I may take a moment here to call upon the wisdom of experience – a person who cannot definitively say whether they have had any Jägerbombs has definitely had some Jägerbombs. A Jägerbomb is an experience that does not pass one by. Further to that, a person who says they have ‘potentially’ done something has definitely done that thing and doesn’t want to admit it. A person who has had between 15 and 24 standard drinks in one evening is shitfaced. A person who tries to bribe a bouncer £300 – three hundred quid! – to get into Mbargo – Mbargo! – is beyond shitfaced. If Stokes admitted that he was drunk then the prosecution could say he was out of control. He claimed clear recall of assessing a threat, feeling fear and deciding to protect himself with force. He confidently denied details from the bouncer’s testimony, like using the word ‘cunt’ or mentioning gold teeth. Yet on other details he claimed a ‘significant memory blackout’. He didn’t remember the punch that saw Ryan One taken away by ambulance. He didn’t remember what the Ryans had said to Kai and Billy, only that those words were homophobic. With no head injury, as one of the few people who hadn’t been hit, he had supposedly suffered this memory loss despite being sober. The version from Kai and Billy was compatible but vague: they had been walking along, they ‘heard … shouts’ of abuse from an unspecified source, then Stokes ‘stepped in’ and thus they avoided possible harm. They claimed to have been bought a drink by Stokes at Mbargo, although CCTV showed them meeting outside. The overall implication from both accounts was that the cricketers had been pals with Kai and Billy, while the Ryans as per The Sun’s headline were a roving band of thugs. The reality though is that the Ryans were the ones hanging out with Kai and Billy at Mbargo. Police discussed CCTV from inside the club in questioning and at trial. On that footage the four Bristolians bought drinks for one another, danced together, and Kai was noted to have variously touched Ryan Two’s crotch and Ryan One’s buttock. Ryan One told police that all of this was taken lightheartedly and wasn’t a problem. Indeed, when the Ryans called it a night the other two left with them. This much is clear from footage out the front of Mbargo, which shows Kai and Billy exit the club and start talking with a subdued Hales and a demonstrative Stokes, who are stuck outside. The vision was played in court to determine whether Stokes was antagonistic towards Kai and Billy, as he appears to impersonate them and to throw a lit cigarette their way. More interesting is that after a few minutes the Ryans emerge, and all six actors in the fight video briefly form a prequel in the one frame. Ryan Two pats Billy on the chest in friendly fashion with his right hand before clapping him on the back with his left. He moves past and does the same to Kai before leaving the shot. Ryan One stops to speak to Kai. They lean in for a moment, talking, then Kai turns and they walk out of frame together. Billy hangs around for a few seconds at the door and then looks after them and races to catch up. Stokes and Hales remain outside the club to remonstrate further with the bouncers. Whatever discord develops around the corner is between four men who left amicably together minutes earlier. There’s no way to know what caused that friction. If Ryan One did use homophobic slurs, he might have been drunkenly obnoxious for no reason. He might have had an insecure macho response to some extra flirtation. He might have thought unkindness was funny – ‘banter’ once again. Or he might have said something that was misunderstood, as both Ryans insisted in court that they had not used nor had the impulse to use any abusive language. What clearly didn’t happen was an attack by bigots on random passers-by. This kind of crime is regular enough that an audience understands the horror of it, and this is what was evoked by the public accounts of Stokes, Billy and Kai. All we know is that there was some verbal dispute among the Bristol locals, and that Stokes came along behind them and put himself in the middle of it. Ryan One responded to the interference aggressively and away they went. There are plenty of reasons to look sideways at the idea that Stokes was a saviour. Foremost, neither Kai nor Billy was called upon as witnesses in court. You’d think it would be ideal to have Stokes’ story backed up by those who benefited from his selflessness. But his defence team had developed the impression that the pair had shown a changeable recall of events amid a hard-partying lifestyle, and would be dismantled by the prosecution on the stand. That raises the question of whether The Sun coached their quotes for the 2017 interview. Despite missing court, Kai and Billy clearly enjoyed the attention. In 2018 after the trial they did a follow-up spread in the same paper about how poor Ben had been mistreated. They got a television spot on Good Morning Britain and glowed about his heroism. In 2019 The Sun wheeled them out once more to say that Stokes should get a knighthood. In 2017 they had ‘never watched cricket’ but by 2019 were supposedly volunteering sentences like, ‘He saved us, now he’s saved the Ashes.’ Whether they were paid for these appearances is not known, but the chance to be famous for a day can be lure enough. If you find this cynical, consider that on the night in question, the Bristol boys were so deeply moved and thankful for Ben’s intervention that they left him to be arrested and never attempted to find out who he was. Seconds after the video ended, an off-duty policeman reached the scene. You might think that someone grateful to a saviour would speak on his behalf. Instead, said Kai, ‘it all got a bit scary so we walked off. It was too much for me and we went to Quigley’s takeaway for chicken burgers and cheesy chips.’ They didn’t give their hero a thought for over a month while police issued multiple appeals for witnesses. As for Stokes, he told his arresting officer that ‘his friends’ had been attacked. After three minutes of chat outside a nightclub, these friends were so dear to him that he has never contacted them again: not after the newspaper piece, not after the verdict. He didn’t want to see how they were or thank them for their support. He didn’t mention them by name in his solicitor’s statement after the trial. The Stokes defence rested on Ryan One’s bottle, which he had carried out of Mbargo to finish a beer, not to use in a Sharks versus Jets amateur production. But once he turned it over to hold it by the neck it became a weapon. Intent and interpretation can change the material nature of things. Part of Stokes’ justification in court was that the bottle implied that the two Ryans might have ‘other weapons’ hidden away. You can understand how a jury could decide that created doubt. Not being convicted, though, doesn’t give the contents of the video a big green tick. It does not, as his lawyer claimed, vindicate Stokes. Looking in detail, Ryan One is belligerent but his movements telegraph a bluff. Hales is the person he’s gesturing at, but they’re several metres apart when Ryan One cocks his arm ostentatiously, showing off the bottle rather than bracing to swing. He skips forward but Hales skips back and Ryan One doesn’t follow. Kai stretches out an arm to impede Ryan One, who has a drunken stumble, nearly eats pavement, then staggers towards Kai and hits him in the back. That hand is still holding the bottle, but his strike is a side-arm cuff on a soft part of the body. It’s all pretty tame. This is where Stokes gets involved. Having moved across to protect Hales, he now takes three large steps to run around Kai and booms his first punch at Ryan One. They fall to the ground and the bottle clinks away. Stokes gets to his feet to punch down at the fallen man, while Hales arrives to kick him ineffectively then runs off across the street for some unknown reason. Ice-cream van? Stokes is soon back in the grapple having his shirt pulled up to show off his Durham tan. Ryan Two steps in for the first time to pull Stokes away, prompting a couple more random punches at this new target, then Stokes trips backwards over Ryan One and sprawls in the street. Hales chooses this moment to return and aim some solid kicks at the head of the man on the ground. Nothing so far is a triumph of moral philosophy or the pugilistic arts. But if it all stopped here, perhaps you could say it was somewhere approaching fair. Ryan One has behaved like a turnip and it’s not an entirely unjust world that would give him a whack across the chops. The antagonists have disentangled, Stokes has some distance, it’s time to dust off and go home. Ryan Two steps forward for this purpose with his palm raised in conciliatory style and says, ‘Settle down, stop.’ So Stokes punches him. It’s roughly his fifth punch overall, and he really winds up into this one. He misses so hard that he stumbles away into the shadows of the shop awnings along the road. Hales starts shouting for him to stop. Ryan Two backs into the street, still holding his palm up. Stokes closes on him from about five metres away, six large steps, to where Ryan Two is standing on his own. Stokes pushes him a couple of times, as Ryan Two keeps trying to placate him and saying ‘Stop.’ Stokes throws his sixth punch, largely missing as his target ducks. Ryan Two keeps pulling away and reversing, into the middle of the street now. Stokes follows him, grabbing his sleeve to drag him back. By this point Ryan One has found his feet and walked around behind his friend. Both of them are in the same line of sight for Stokes, and both are backing away. Stokes aims his seventh and his eighth punches, which Ryan Two tries to deflect, as Hales walks up behind Stokes to grab him. Stokes yanks away from his friend and switches to Ryan One instead, taking seven paces to grab him before throwing his ninth punch of the night. He grabs again; Ryan One blocks that arm and pushes himself back away from Stokes. Ryan Two again intercedes, putting himself between the two with his palms up and his arm extended. Stokes throws his tenth punch, a right-hander at the face of Ryan Two, then shoves him backwards. Ryan Two backs away once more, four paces. Stokes follows, steadies, lines up, then launches his strongest punch yet, his eleventh, a proper right hook from a solid base, one that cracks across the man’s head and gives him concussion. Ryan Two ends up flat on his back in the middle of the street, his hands still outstretched for a moment in useless protest until they twitch and drop to the blacktop. Stokes isn’t done. He once more shoves away the restraining Hales and follows Ryan One, who keeps backing away saying, ‘Alright, alright, alright.’ Five more paces from Stokes before another blow at the man’s head. Kai and Billy are now standing over the poleaxed Ryan Two. The video ends, but seconds later Stokes will punch Ryan One hard enough to knock him out too, before off-duty cop Andrew Spure arrives on the scene to bring down the curtain. When the body-camera footage kicks in some minutes later, Stokes is in handcuffs but Ryan One is still laid out in the street. Ryan Two has regained consciousness, folded his shirt under his friend’s head and is asking police for an ambulance. ‘At this point, I felt vulnerable and frightened. I was concerned for myself and others.’ This was how Stokes described that sequence to the court. An elite athlete with years of gym work and training to snap a bat through the line of a ball with astounding power and precision, swinging fists as hard as he can at men with none of those advantages. Punching so hard that he breaks his hand, and repeatedly shoving away a friend so he can punch some more. Frightened and threatened by two targets shouting ‘Get back!’ and ‘Stop!’ The off-duty officer testified that Stokes ‘seemed to be the main aggressor or was progressing forward trying to get to’ Ryan One, who was ‘trying to back away or get away from the situation’. The student who filmed the video can be heard on the tape at one stage exclaiming ‘Fuck!’ and testified that it was because ‘I felt a little bit sorry about the lad that had been punched and it looked like he had his hands up’. That tallied with the prosecutor’s depiction of ‘a sustained episode of significant violence that left onlookers shocked at what was taking place’. The defendant stuck to his strategy. ‘No, my sole focus was to protect myself.’ All up, in the 33 seconds of footage after he falls over, Stokes takes 35 steps forward to keep hitting two men who keep trying to get away. Not once is he hit back. After the verdict, Stokes’ solicitor positioned him as the victim. It had been ‘an eleven-month ordeal for Ben … The jury’s decision fairly reflects the truth of what happened that night … He was minding his own business … It was only when others came under threat that Ben became physically engaged. The steps that he took were solely aimed at ensuring the safety of himself and the others present …’ The statement was impossibly self-righteous and self-absorbed. If there was anyone to feel sorry for it was Ryan Hale, the second of our two Ryans. He’s the one who emerged from the club with a friendly arm around the shoulder for Kai and Billy. He’s the one who interposed himself to end the fight, then kept putting himself back in the firing line, trying to calm an intimidating stranger while dodging blows. For his show of restraint he got laid out regardless, concussed in the street, then was issued a criminal charge equal to that of the man who hit him, and described in national media as a violent bigot in an untested story to support that man’s defence. Lawyers for Ryan Two made a more convincing post-trial statement, noting that Kai and Billy, ‘neither of whom were relied upon by the prosecution or the defence team for Mr Stokes, have taken the opportunity to speak with various media outlets about the alleged homophobic abuse that they received in the early hours of September 25. Mr Hale has passionately denied this allegation throughout the course of this case,’ it continued. ‘It is upsetting to Mr Hale that although he was acquitted, the accusation that he was the author of such abuse remains. Both Mr Hale and Mr Ali were knocked unconscious by Mr Stokes, and although Mr Stokes has been acquitted of an affray, Mr Hale struggles with the reasons why the Crown Prosecution Service did not treat him as a victim of an unlawful assault.’Good question. Avon and Somerset police were the investigating force, and they were frustrated by the decision. Ryan Two was filmed clearly not hurting anyone, but police were instructed by the CPS to proceed with a charge. Hales (the cricketer) was filmed fighting but ‘a decision was made at a senior level of the CPS’ not to proceed. Police expected Stokes to be charged with assault but the CPS declined. It doesn’t take a wild cynic to think that placing the same lukewarm charge on three men for vastly divergent behaviour might ensure that none would be convicted, even as the trial would maintain the pretence that a defendant of influential standing had not been given a free pass. A couple of years down the line, the original interview with Kai and Billy has disappeared. All traces have been scrubbed from The Sun website, its social media history, and even from the Wayback Machine internet archive. Given its headline of ‘homophobic thugs’ and text that names Ryan Two but not Ryan One, the libel liability isn’t hard to spot. Later interviews with Kai and Billy take the passive voice – they ‘suffered homophobic slurs outside a Bristol nightclub’. The article that was once claimed to exonerate brave Ben Stokes now links only to a missing content page, with a picture of a dropped ice-cream cone and the phrase ‘legal removal’ inserted into the web URL. In terms of consequences, Stokes missed one tour. When he resumed his career in January 2018, the Australians hadn’t yet ruined theirs. Their year-long bans looked much more stringent. But the Stokes case dragged on in other ways. With no criminal liability, the Australians confessed promptly enough for the sporting world to give them the full length of the lash. Their situation was ugly but there was closure. Stokes got stuck in legal stasis, unable to be fully backed or condemned. Instead his issue was always present, a browser full of open tabs that the ECB swore they would read any day now. Through 2018 Stokes was back but he wasn’t back, in the sunglasses and finger-guns sense. In his return one-day series he nearly cost England a match with 39 from 73 balls in Wellington. His first Test hit was a duck as England got rolled in Auckland for 58. At Trent Bridge while Stokes was injured, England posted a world record 481 against Australia. With Stokes three weeks later at the same ground they made 268. He crawled to 50 from 103, the second-slowest any Englishman had reached that milestone in 20 years. That span covered Alastair Cook’s whole career. It was apologetic batting, acting out responsibility via the scorecard. Stokes was creeping back into the team like he’d been kicked out in a blazing row and was hoping to tip-toe to the sofa. It was December 2018 before the ECB disciplinary committee ruled on him and Hales. In a ‘remarkable coincidence’, wrote Simon Heffer in The Telegraph, ‘the punishment both players faced in terms of bans from playing at international level was covered by the amount of games they had already missed when dropped by England’s selectors, in the furore that followed the incident’. The verdict compounded the omissions around the case by not addressing the violence at its heart. Nor did Stokes, apologising only ‘to my team-mates, coaches and support staff’, and then ‘to England supporters and to the public for bringing the game into disrepute’. The implicit next step was to rebuild that reputation. It might have been easier had his court defence not meant that he wasn’t game to admit any fault at all. It might have been easier if he or his advisers had been willing to change tack once the trial was done. Imagine a world where Stokes had stood outside court and apologised for overreacting, for the injuries he’d caused, and for the time and energy he had sucked out of other people’s lives. That would have been a show of responsibility beyond a scorecard. When the time came around to assess forgiveness, it might have meant forgiveness was deserved.
The Hound of Hounslow (How an Autist Broke the Market)
On May 6, 2010, Jim Cramer’s brain broke. “That is not a real price,” he yelled to his monitor. “OK? That is not a real price.” Proctor & Gamble had just fallen 25% in a manner of minutes, then 29%, then 31%. Cramer had never seen such a shiny knife, such a beautiful buy, and he searched frantically for the right camera to beg his followers to add PG to their portfolio. There weren’t enough buttons on Cramer’s soundboard to fully capture how he felt about the quickest drop in Dow Jones history. In what would later be dubbed “The Crash of 2:45” or simply “The Flash Crash,” over a trillion dollars was wiped from the stock market in a manner of 15 minutes. The odd thing was, despite dropping more than 9% at one point, the market would rapidly recover a bit after 3 PM and would close only 3% lower for the day. In the ensuing days and weeks, journalists and financial commentators and United States Congressmen would try and determine where this volatility had come from. Something weird had just happened. # In the investigations that followed, regulators would consider a couple of theories. Was this a “fat-finger trade” where a trader inadvertently placed a large sell order, triggering a domino effect of sorts where algos would in turn sell? Was this a well-coordinated cyberattack, aimed to cripple American institutions? Was it simply a dip exacerbated by high-frequency traders? Had Janet Yellen forgotten to change the printer toner? Nobody knew. But five months after the flash crash, the SEC and the Commodity Futures Trading Commission (CFTC) released a joint report that on May 6, 2010 the market was “so fragmented and fragile that a single large trade could send stocks into a sudden spiral.” They stated that a group called Waddell & Reed Financial Inc. had inadvertently played a role in the crash by initiating a sale of 75,000 E-Mini S&P contracts ($4.1 billion total) as a hedge to an existing position. This, the report said, coupled with the high-frequency traders trying to sell the long futures contracts they had just picked up from Waddell & Reed, led to a game of “hot potato” where the contracts were resold to other HFTs. The report though was leaving out a crucial player. # In 2005, Navinder Sarao was living the dream. At 27 years old, he still lived with his parents in Hounslow, a working-class suburb outside of London, demanding tendies to be delivered to his bedroom by his sweet emigrant mother. To the people who knew him, Navinder, or Nav, was known to be quick-witted and quick to anger. He was dominant at Halo and FIFA, and he had a proclivity to focus on one task for hours and hours on end until he mastered it. He was almost obsessive in his interests. Despite still living with his parents, young Nav had aspirations. In 2006, he responded to an ad in the Evening Standard that read, “Wanted: futures traders. Must work well under pressure.” That’s it. That was the ad. And Nav, with no experience and a honey mustard-stained tie, went to the FutexLive headquarters—a drab office situated above a supermarket 45 minutes outside London—and successfully hid his Asperger’s and got the job. He was now a professional trader. Nav picked things up quickly. Realizing that he was surrounded by day-trading retards, he moved his desk to the corner of the shabby trading floor and bought a pair of noise-canceling headphones. He’d found success trading E-mini S&P Futures, which is the primary futures trading vehicle for the S&P 500. And with his noise-canceling headphones, Nav would follow the orders that would enter and leave the markets. His coworkers would marvel at the autist in the corner and the returns he was regularly pulling in. Then 2008 happened. By the time the financial crisis was in full swing, Nav was almost thirty and had decided to leave Futex. He had accumulated $2 million from his trades the last couple of years, and he figured the most prudent move as a budding millionaire was to set up his command center in his bedroom. He still lived with his parents. # Nav realized something early on in the mortgage crisis that not everyone else did. He realized that governments would be forced to step in and save these retarded institutions, and he knew the banks wouldn’t be allowed to fall. And he bet $2 million—his whole net worth at the time—that he would be right. He made this bet on a Friday, and the following Monday, George Bush announced the TARP plan. Prices proceeded to recover 19% over the next couple of weeks, and Nav rode the wave and turned his $2 million into $15 million. Did he rest on his laurels? Fuck no, this kid’s retarded! Nav didn’t want a wife and a home with a couple of kids running around. He wanted GLORY. # Around 2010, the markets were seeing an influx in high-frequency trading, and Nav took personal insult to these robots. People were getting scalped by these algos, and those scalps belonged to Nav. Those profits were rightfully his. In order to beat the robots, Nav decided to build his own robot. And unsurprisingly, fueled by Code Red and autism, Nav’s algo worked magnificently. Pretty soon, he was regularly pulling in half a million a day. All the while living in a cramped bedroom of his parents’ home that cost $300,000. # May 6, 2010, started out as a regular day for Nav. The markets were sliding a bit, and Jim Cramer was flailing about his studio as though he were fighting a cloud of bats, but this was roughly on par for the time. Nav’s algo was pumping E-mini sell orders into the market—$200 million worth of orders to be exact—which ultimately resulted in a loss of liquidity (don’t ask me how this worked, I’m still confused why my PLTR 12/11 40C aren’t printing). At around 1:40 EST, or 6:40 in Hounslow, his mother called from the bottom of the steps to inform Nav that din-din was ready and would he please come down. So Nav logged off. And exactly one minute after that, the market began to fall at a rate that had never seen before. Nav had no idea though; he was in an argument with his father about why he needed to chew with his mouth open in order to let the scalding tendy fumes out. A trillion dollars had been wiped from American markets, and the instigator of it all was too retarded to know what he’d done. The tendies were good though. # The trillion-dollar loss turned out to be not that big of a deal. The DOW snapped back from the 9% freefall like a rubber band, like any stock that Andrew Left has deemed to be a casino. But the NYSE and NASDAQ officials proceeded to meet over the next couple of months to try and determine what caused the nosedive and rapid recovery. In the reports that they would write, regulators made no reference to manipulation and no reference to Nav. In fact, he wasn’t even aware there was an investigation going on. He wasn’t aware he did anything wrong. But regulators eventually began to notice that Nav was canceling a lot of orders. The CFTC sent him an email and asked if he could explain what he’d been up to. What was the reason for his canceling an obscene number of orders? That’s what big banks did. And that’d usually be fine and all, but Nav was a singular trader and that made it suspicious. Nav wrote back to the CFTC explaining in careful terms that he had nothing to apologize for and that the CFTC could kiss his ass. He actually sent that. He told the CFTC to kiss his ass. Which, in hindsight, might’ve been a bad idea but the regulators were still too stupid and boomery to charge him with anything at the time. Nav would’ve gotten away with it too if it weren’t for a blabbermouth desk trader in Chicago who months later reported a different block of Nav’s trades to the CFTC, rekindling the case against Nav. The investigation and case were dragged out over months and years, and I know 99% of you were too impatient to get this far, so I’ll give the cliff notes for the rest. Basically, Nav would eventually be charged with “spoofing,” which is the purchase of a large block of orders with the intent to cancel them. Spoofing artificially drives prices higher or lower. So the FBI and other concerned parties showed up on the doorstep of Nav’s Hounslow townhome in 2015, and he was extradited to the U.S. The judge learned he was worth $50 million, so he set bail to $7.5 million. Curiously enough though, Nav couldn’t access the $50 million or pay bail, and it was later determined that he’d somehow lost the fortune, seemingly to various shady investment advisors who promised to keep his money safe. (I personally like to think he’s stashed his earnings into a Caribbean account and that he’ll return to his private island once things blow over) Over the next couple of months, Nav worked with investigators and taught them how market abuse happens. He was diagnosed with Asperger’s by a prison doctor, and the judge, sensing the moral dilemma of incarcerating an autist, and sensing Nav had received punishment enough from being scammed out of his $50 million, recommended a year of house arrest. So Nav is currently serving his year of house arrest in the same bedroom where he amassed $50 million. But now he’s penniless at 41. TLDR: Some autist beats the system, but the casino is angry and creates new rules to retroactively punish him for his winnings.
Here on a Sunday night to give you autists some time to cross-check my info, start your RH instant deposit, and let your wife's bf know you're coming back with a vengeance. Here's an in-depth analysis on DraftKings and how to maximize profits over the foreseeable future to squeeze this for every tendie we can. Now that many states face revenue shortfalls due to the coronavirus pandemic and wider budget deficits, there needs to be a push to fill that gap and nothing is better positioned than sports betting. As you all know, $DKNG came to market through a SPAC merging with Diamond Eagle back in April, at the worst of the pandemic when live sports were dead and there was more uncertainty than ever for what was to come. Jason Robins, Draft Kings CEO, has balls of steel and knew that they needed to get to market quickly for a sports betting run-up the likes of which we've never seen. Sports are now on their way back, with a huge amount of positive catalysts coming up in the next few months to skyrocket this stock to the moon and beyond.
I want to clarify that a large amount of my conviction from this play comes from the incredible management team leading the company. CEO Jason Robins is a stand-up guy and has led the company through a huge amount of scrutiny since its founding in 2012. He comes from a data analytics background which could not be a better fit for the sports betting business. He prioritizes the high speed data that fuels the DraftKings platform as its most valuable asset and speaks often on the commitment his team has to ethical values and encouraging a trustworthy environment for its users to gamble their paychecks on the DraftKings platform. I've linked a great interview to get to know the CEO and give further insight into DraftKing's plans moving forward below and highly recommend anyone going in on this play give it a quick watch. Jason is optimistic about the future of state's legalizing mobile sports betting moving forward and says they will continue to invest boatloads of money into customer acquisition costs through TV ads and billboards on a state-by-state basis. Link: https://youtu.be/2OVFB9piEC0 Any of you who have come across DraftKings commercials, YouTube ads, billboards, know that their marketing is on point. This is a great play because DraftKing's expansion has occurred thus far on a state-by-state basis. This means that there's a large part of the nation (actually the majority) that is still ignorant to the sports betting wave that is coming in 2021. DraftKings is positioned extremely well to lead the way into the ~25 states still waiting to pass the bill.
The fact that the top 4 states in the country still have not legalized online sports betting presents a HUGE opportunity to ride this wave with little downside risk. Sports have already gone through the worst-case scenario during COVID shutdowns and survived—now we’ve got a great amount of positive catalysts coming up (NBA season, March madness, Super Bowl, etc.) that the general population is begging for some action on, paired with more money in their pocket from significantly less entertainment costs since the pandemic started. The Wuhan Virus gave DraftKings a shot in the arm to streamline its way into most (if not all) of the remaining state's ballots during Q1 and Q2 due to the huge cut in tax revenues that the lockdowns caused across the country. Governor Cuomo of New York released a statement last week stating he is now considering the passing of mobile sports betting in order to raise the state's tax revenue during a time where Congress completely skipped them over in terms of providing aid through the stimmy. New York is a huge catalyst moving forward. In my opinion, this is a make or break for how things look for DraftKings moving forward, and will largely influence how other states react. Mobile sports betting scares states as it is new and so accessible, but if you do research into the Powerball and other loterry companies, it just took a push in the right direction for states to realize how much money they are leaving on the table by not participating in these emerging markets. Sports betting has already benefited the 9 states which passed the bill (NJ leading the way) and has NY as well as every other governor, feeling major FOMO. Current states where online (mobile) sports betting laws have passed:
Legislation aside, the other huge catalyst is DraftKing's unique approach to owning its own data and proprietary tech stack. I believe that this will be where DKNG separates itself from the competition that is rushing to this space and will give it the upper hand in acquiring, and retaining, a large percentage of new users across opening states. From investor presentation:"Upon close of the business combination, DraftKings will become the only vertically-integrated pure-play sports betting and online gaming company based in the United States. Through the business combination, DraftKings expects to realize synergies by transitioning its risk and trading sports betting platform to SBTech’s, instead of relying on a third-party platform. In addition to reducing costs, DraftKings will control its backend system and product roadmap, differentiating the company from other U.S. operators and giving it the ability to tailor its sports betting product to U.S. sports and users." "SBTech is a global leader in omni-channel sports betting and gaming, with more than 1,200 employees in 10 offices worldwide. Since 2007, the group has developed the industry’s most powerful online sports betting and casino platform, serving licensees in more than 15 regulated territories. SBTech’s clients include many of the world’s premier betting and gaming operators, state lotteries, land-based casinos, horse racing companies, and iGaming start-ups. The group supplies highly flexible betting and gaming solutions to clients looking for exceptional configurability and the quickest route to market, complemented by proven business intelligence and reporting capabilities. The SBTech offering includes its seamless sportsbook, Chameleon360 iGaming platform, managed services, on-property sportsbook and omni-channel solutions that provide players with constant access to sports and casino products across all online, mobile and retail channels. Supported by unrivaled expertise in trading and risk management, acquisition and CRM, and the highest standards of regulatory compliance, SBTech’s partners consistently achieve rapid growth, enhanced brand loyalty and record revenues." DraftKings prioritized OWNING their own backend technology via this merger with SBTech, making them the first, and only company in this space to own their risk and trading platform. This gives DraftKings a huge edge to the rest of the market. It forked up the cash to keep everything in house not only to provide a better customer experience, but also to widen the moat against competitors as new states come onboard. The key here is to clarify that DraftKings and SBTech combined to be the only player in the market with 100% vertical integration and control of their own backend. Jason Robins and the rest of the management team are placing their efforts on having the best technology and the best product and really going all in on owning the U.S. landscape opening up, with as little need for cross-platform interaction as possible. This acquisition of SBTech was a complete game changer because it allowed them to be independent from paying revenue share to a third-party for betting lines and risk management services. Clarification: no other sports betting/fantasy sports/casino company currently has 100% vertical integration on the level that DraftKings has established.
This is where the market is missing the mark. Take the time to read over analyst reports, news articles, and interviews and you'll quickly notice 99% of the general market is completely glazing over DraftKing's iGaming sector. This industry has been a CA$H COW in Europe for awhile now, and is only getting started in the United States. Out of the companies that occupy this space, DraftKings is the only one to create one synergistic platform for Fantasy sports/Sportsbook/iGaming. This will be a huge value proposition that will ultimately rocket DraftKings to the top of the gaming market and solidify it as THE gaming powerhouse moving forward. The infrastructure driving DraftKing's products and Tech (all in one platform) Anyone that's watched the run of Skillz and the hype pushing PaySafe, knows how much anticipation there is for iGaming to become the new norm in the world of gambling. DraftKings has emerged as the market leader in each state they've launched in, and continue to gain more and more market share. Once new users get introduced to their platform, the cross-selling opportunity is limitless and creates an extremely sticky customer acquisition cycle. Competitors like Penn and MGM are dinosaurs in this space and have been playing catch-up to DraftKings since 2012. The new age of gamblers don't want to drive to a physical casino location or buy a home desktop to gamble. Everything will be mobile and run in real-time. DraftKings has been building an incredible live-sports ecosystem (first to market) and innovates the possibilities of what you can bet on a daily basis. Just download the app for yourself and do some exploring. I believe this is going to boom in the TikTok/millennial crowd as more states start to hop onboard.
Pulled from the investor presentation, $DKNG has smashed every one of their 2020 assumptions listed below. For any stats guys out there, I would love to see some models at how much of this market is still up for grabs. DraftKings has positioned themselves to be at the head of this movement, and I believe that 2021 will be the year we really see them take off into triple digits share prices. The catalysts are there, and the market is ripe for the taking. Their projections are extremely conservative and management lets the numbers do the talking. In my opinion, this is a bet on the management putting the dots together to EXECUTE as state legislation starts to go their way, once NY happens this shift will occur rapidly. https://www.sec.gov/Archives/edgadata/1772757/000110465920032214/tm2012476d1_425.htm The management is incredible and truly displays a vision for wanting to prop up shareholder value in the long-term through valuable data, a fully integrated platform, and aggressive customer acquisition to take control of this market as states realize the economic deficits which they are facing going into a new year. This along with the unprecedented hype that is going to be involved with sports events this year, will skyrocket DraftKings to new heights. This is not a bet on sports betting alone, it is a play on a data-heavy and analytically driven behemoth, with strategic partnerships (league, team, and celebrity partnerships) and one of the most aggressive marketing strategies I have ever laid eyes on. The stock soared earlier this years upon news of the Michael Jordan partnership (https://www.cnn.com/2020/09/02/investing/draftkings-michael-jordan-deal/index.html) and there is many, many more big moves in the pipeline.
Long-term I am extremely bullish on people wanting risk to make up a daily part of their lives. The psychology of sports betting resembles that of the lottery and is becoming a must-have for people to have the choice to place bets from the convenience of their mobile phones. We are moving into a future where if risk and leverage are not involved, people will have little interest in dedicating their time to things. This shift can be seen with the boom in retail options trading (shoutout wsb gang) and will have a similar effect in sports, iGaming, and random prop bets/surveys that Draft Kings is innovating heavily in. This is not to mention the infrastructure that DKNG is continuing to build out to rival that of Europe in terms of live sports betting (which makes up three quarters of revenue for online sports books in the UK) and expanding their horizons to lesser betted on sports such as tennis, golf, soccer, etc. If you've gotten this far, congrats you're just a few steps away from striking gold. Any feedback, comments, rebuttals, bear scenarios, etc. please comment. Good luck.
DraftKings has state legislation action coming, incredible management, is data-driven, is vertically integrated/owns its tech stack, has exposure to the full range of new world gaming (Fantasy/Sportsbook/iGaming), and is ahead of its competition forming league, team, and celebrity partnerships. $70c 1/21/22 $90c 1/20/23
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PLEASE PLEASE PLEASE AFTER A SUCCESSFUL TRANSACTION, PLEASE TAG ME & BOT TO GET CREDIT FOR THE TRANSACTION! :)
SNY BUFF MOVIE = $5 EACH (HAVE 5)
1917 | 4K UHD/MA | $7 2001: A SPACE ODYSSEY | 4K UHD/MA | $7.50 21 JUMP STREET | 4K UHD/MA | $7 22 JUMP STREET | 4K UHD/MA | $7 3 FROM HELL | 4K UHD VUDU OR ITUNES 4K | $6 ABOMINABLE | 4K UHD/MA | $7.50 ANNA | 4K UHD VUDU | $7.50 [NOT MA] ANTEBELLUM | 4K UHD VUDU OR ITUNES 4K | $7 [NOT MA] APOLLO 13 | 4K UHD VUDU | $7.50 AQUAMAN | 4K UHD/MA | $7.50 BACK TO THE FUTURE TRILOGY | 4K UHD/MA | $13 BEETLEJUICE | 4K UHD/MA | $8.50 BEVERLY HILLS COPS | 4K UHD VUDU OR ITUNES | $8 BIRDS OF PREY | 4K UHD/MA | $7.50 BLACKKKLANSMAN | 4K UHD/MA | $7.50 BLADE | 4K UHD/MA | $7.50 THE BLUES BROTHERS | 4K UHD/MA | $7.50 BOMBSHELL | 4K UHD VUDU OR ITUNES 4K | $8 [NOT MA] THE BOURNE IDENTITY | 4K UHD VUDU | $6.50 THE BOURNE SUPREMACY | ITUNES 4K | $6 THE BOURNE LEGACY | ITUNES 4K | $6 BRAHMS: THE BOY II | ITUNES 4K | $6 [NOT MA] CASINO | 4K UHD/MA | $7.50 CHARLIE’S ANGELS | 4K UHD/MA | $8 COLUMBIA CLASSICS COLLECTION [6 MOVIES] | 4K UHD/MA | $40 COUNTDOWN | ITUNES 4K | $6.50 [NOT MA] DADDY'S HOME 2 | 4K UHD [VUDU] | $7 - NOT MA DADDY’S HOME 2 | iTunes 4k | $4 - NOT MA DANIEL CRAIG COLLECTION | 4K UHD/MA | $25 THE DARK TOWER | 4K UHD/MA | $7.50 DAYS OF THUNDER | 4K UHD VUDU OR ITUNES 4K | $8 DEADPOOL | ITUNES 4K → MA 4K | $6 DOCTOR SLEEP | 4K UHD/MA | $7.50 ENDER’S GAME | VUDU UHD | $7 [NOT MA] ENDER’S GAME | ITUNES 4K | $6 [NOT MA] FIRST MAN | 4K UHD/MA | $8 FULL METAL JACKET | 4K UHD/MA | $7.50 GEMINI MAN | ITUNES 4K | $6 [NOT MA] THE GENTLEMAN | ITUNES 4K | $6.50 GODZILLA 2019 | 4K UHD/MA | $7.50 THE GOONIES | 4K UHD/MA | $9.50 HELLBOY 2019 | 4K UHD VUDU OR ITUNES 4K | $7.50 HELLFEST | 4K UHD VUDU OR ITUNES 4K | $7.50 [NOT MA] THE HITMAN'S BODYGUARD | 4K UHD VUDU OR ITUNES 4K | $7.50 THE HOBBIT TRILOGY | 4K UHD/MA | $35 [EXTENDED & THEATRICAL] HOBBS/SHAW | 4K UHD/MA | $7.50 HOME ALONE | 4K UHD/MA | $6.50 HOME ALONE | ITUNES 4K → MA 4K | $6 HOTEL TRANSYLVANIA 3 | 4K UHD/MA | $7.50 HOOK | 4K UHD/MA | $7.50 HOW THE GRINCH STOLE CHRISTMAS: 2000 | 4K UHD/MA | $8.50 HUSTLERS | ITUNES 4K | $5 [NOT MA] THE INVISIBLE MAN | 4K UHD/MA | $8.50 IT’S A WONDERFUL LIFE | 4K UHD VUDU | $7 [NOT MA] IT’S A WONDERFUL LIFE | ITUNES | $6 [NOT MA] JAWS | 4K UHD/MA | $7 JOHN WICK 1 | 4K UHD VUDU OR ITUNES | $5.50 JOKER | 4K UHD/MA | $6.50 JUMANJI | 4K UHD/MA | $8 JUSTICE LEAGUE | 4K UHD/MA | $8 JUSTICE LEAGUE DARK: APOKOLIPS WAR | 4K UHD/MA | $7.50 KINGSMAN: THE SECRET SERVICE | ITUNES 4K → MA 4K | $6.50 KINGSMAN: THE GOLDEN CIRCLE | ITUNES 4K → MA 4K | $6.50 KNIVES OUT | 4K UHD VUDU | $8.50 [NOT MA] LA LA LAND | 4K UHD VUDU | $6.50 [NOT MA] THE LEGO MOVIE | 4K UHD/MA | $6 LOGAN | ITUNES 4K → MA | $7 THE LORD OF THE RINGS | 4K UHD/MA | $40 MAN ON A LEDGE | 4K UHD [FANDANGO] | $8 THE MATRIX TRILOGY | 4K UHD/MA | $21 THE MAZE RUNNER | ITUNES 4K → MA 4K | $6.50 MIB: INTERNATIONAL | 4K UHD/MA | $8 MIDWAY | 4K UHD VUDU OR ITUNES 4K | $8 [NOT MA] MISSION IMPOSSIBLE: FALLOUT | 4K UHD VUDU | $7 [NOT MA] MORTAL ENGINES | 4K UHD/MA | $7.50 ONCE UPON A TIME IN HOLLYWOOD | 4K UHD/MA | $7.50 OVERLORD | ITUNES 4K | $5 [NOT MA] PATRIOT’S DAY | 4K UHD VUDU | $6.50 [NOT MA] PETER RABBIT | 4K UHD/MA | $8 PET SEMATARY  | ITUNES 4K | $5 [NOT MA] PET SEMATARY | 4K UHD VUDU | $7.50 [NOT MA] THE PREDATOR COLLECTION | 4K UHD/MA | $22.50 PRIDE & PREJUDICE AND ZOMBIES | 4K UHD/MA | $8.50 RAMBO | 4K UHD VUDU | $6 [NOT MA] RAMBO: LAST BLOOD | 4K UHD VUDU OR ITUNES 4K | $6 RAMBO 5 FILM COLLECTION | 4K UHD VUDU | $23 READY PLAYER ONE | 4K UHD/MA | $7.50 THE RHYTHM SECTION | VUDU HD OR ITUNES 4K | $7 SCARFACE | 4K UHD/MA | $7.50 SCOOB! | 4K UHD/MA | $9.50 THE SECRET GARDEN | ITUNES 4K | $6 A SIMPLE FAVOR | ITUNES 4K | $7.50 [NOT MA] SING | 4K UHD VUDU | $7 SPARTACUS: 1960 | 4K UHD/MA | $8.50 SPIDER-MAN: HOMECOMING | 4K UHD/MA | $7 STARSHIP TROOPERS | 4K UHD/MA | $8.50 SUPERMAN: MAN OF TOMORROW | 4K UHD/MA | $8 TENET | 4K UHD/MA | $13 TERMINATOR: DARK FATE | 4K UHD VUDU | $9 [NOT MA] TERMINATOR: DARK FATE | ITUNES 4k | $6 [NOT MA] TOTAL RECALL | 4K UHD VUDU OR ITUNES | $7.50 [NOT MA] TOP GUN | 4K UHD VUDU OR ITUNES | $8 [NOT MA] TRANSFORMERS: COLLECTION | ITUNES 4K | $15 [NOT MA] 5 FILMS TROLLS WORLD TOUR | 4K UHD/MA | $9.50 VENOM | 4K UHD/MA | $7.50 WAR OF THE WORLDS | 4K UHD VUDU OR ITUNES | $9 [NOT MA] WHIPLASH | 4K UHD/MA | $8.50 THE WIZARD OF OZ | 4K UHD/MA | $9 WONDER WOMAN | 4K UHD/MA | $8 X-MEN: APOCALYPSE | iTunes 4K → MA 4K | $6.50 ZOMBIELAND | 4K UHD/MA | $8
THE 5TH WAVE | MA/SD | $3 THE 15:17 TO PARIS | MA/UVHD | $6.50 ACTION POINT | UVHD | $5.50 [NOT MA] ALEX CROSS | UVSD & ITUNES | $4.50 [FULL CODE] ALEX & ME | MA/HD | $5.50 ALLIED | UVHD | $3.50 [NOT MA] ALITA: BATTLE ANGEL | MA/HD | $7 ALL IS LOST | UVSD | $3 [NOT MA] ALMOST CHRISTMAS | UVHD | $5.00 ALOHA | MA/SD | $3 ALONE | VUDU HD OR ITUNES | $7.50 ALPHA | MA/HD | $4.50 ALPHA AND OMEGA 2 | VUDU SD | $3 [NOT MA] AMERICAN GIRL: LEA TO THE RESCUE | VUDU | $4 AMERICAN GIRL: LEA TO THE RESCUE | ITUNES | $3.50 AMERICAN RENEGADES | VUDU | $7 AMERICAN ULTRA | VUDU SD | $3.50 [NOT MA] ANNABELLE | MA/HD | $6 ANCHORMAN 2: THE LEGEND CONTINUES | UHVD | $4.50 ANGRY BIRDS 2 | MA/SD | $3.50 ANNIHILATION | UVHD | $4.50 AQUAMAN | MA/HD | $6 ARCTIC DOGS | VUDU HD OR ITUNES | $7 [NOT MA] ATOMIC BLONDE | UVHD | $4.50 [NOT MA] BACK TO THE FUTURE TRILOGY | MA/HD | $9.50 BAD BOYS FOR LIFE | MA/HD | $7 A BAD MOM CHRISTMAS | ITUNES | $5 [NOT MA] BAD GRANDPA | UVHD | $4 [NOT MA] BAD GRANDPA | iTunes | $3 [NOT MA] BARBIE & HER SISTERS IN A PUPPY CHASE | VUDU | $4 BARBIE & HER SISTERS IN A PUPPY CHASE | ITUNES | $3.50 BARBIE STAR LIGHT ADVENTURE | ITUNES | $3.50 BARBIE VIDEO GAME HERO | VUDU | $4 BARBIE VIDEO GAME HERO | ITUNES | $3.50 BEETLEJUICE | MA/HD | $6.50 THE BIG WEDDING | UVHD | $4.50 [NOT MA] BILL & TED EXCELLENT ADVENTURE TRILOGY | VUDU HD | $12 BILL & TED: FACE THE MUSIC | VUDU HD | $7.50 [NOT MA] BILL & TED: FACE THE MUSIC | VUDU SD | $3.50 [NOT MA] THE BIRTH OF A NATION | MA/HD | $4.50 BLACK NATIVITY | MA/HD | $3 BLINDED BY THE LIGHT | MA/HD | $9 BLINDED BY THE LIGHT | MA/SD | $6 BLOCKERS | MA/HD | $5.50 BLOODSHOT | MA/SD | $3 BLOODSHOT | MA/HD | $6 BOHEMIAN RHAPSODY | MA/HD | $5.50 BOOK OF LIFE | MA/HD | $6 BOOKSMART | MA/HD | $7.50 THE BOSS: UNRATED | ITUNES | $3.50 THE BOUNCE BACK | MA/HD | $4.50 THE BOURNE COLLECTION | VUDU HD | $20 THE BOURNE LEGACY | UVHD | $4 BOYHOOD | VUDU HD | $4 [NOT MA] BOYHOOD | ITUNES | $4 [NOT MA] BRIAN BANKS | MA/HD | $8 THE BROKEN HEARTS GALLERY | MA/HD | $8.50 BULLET TO THE HEAD | MA/UVHD | $4.50 BUMBLEBEE | VUDU HD | $4.50 [NOT MA] BUMBLEBEE | ITUNES | $5 [NOT MA] BUTTONS A CHRISTMAS TALE | VUDU HD | $5.50 [NOT MA] BUTTONS A CHRISTMAS TALE | ITUNES | $5 [NOT MA] THE BYE BYE MAN [UNRATED] | UVHD | $5.00 THE CALL  | MA/HD | $5 CAPTAIN PHILLIPS | MA/HD | $5 CAPTIVE  | UVHD | $4 CAPTIVE STATE | MA/HD | $9.50 CATS | MA/HD | $7.50 CATS & DOGS 3: PAWS UNITE | MA/HD | $6 CHAIN OF COMMAND | VUDU SD | $3 [NOT MA] CHARLIE’S ANGELS | MA/HD | $9 CHI-RAQ | VUDU SD | $3 [NOT MA] A CHRISTMAS STORY 2 | MA/HD | $6.50 CLOUDY WITH A CHANCE OF MEATBALLS 2 | MA/HD | $6 COLD PURSUIT | VUDU HD OR ITUNES 4K | $7 COME TO DADDY | VUDU HD | $7.50 [NOT MA] THE CONJURING | MA/HD | $5.50 CONSTANTINE: CITY OF DEMONS | MA/HD | $6.50 COUNTDOWN | ITUNES 4k | $7.50 [NOT MA] CRAWL | ITUNES 4K | $6.50 [NOT MA] CREED 2 | VUDU HD | $5.50 [NOT MA] CULT OF CHUCKY | VUDU HD | $3.50 CYMBELINE | VUDU SD | $3 [NOT MA] THE DARKNESS  | VUDU HD | $4.50 THE DARKNESS  | ITUNES | $4 THE DARK TOWER | MA/HD | $4.50 THE DARKEST MINDS | MA/HD | $6.50 DARK PLACES | VUDU SD | $3.50 [NOT MA] DEAD AGAIN IN TOMBSTONE | VUDU HD | $4.50 DEAD AGAIN IN TOMBSTONE | iTunes | $4 DEADPOOL 2 | MA/HD | $4.50 DEEP BLUE SEA 3 | MA/HD | $6.50 DEEPWATER HORIZON | ITUNES 4K | $4 [NOT MA] DEN OF THIEVES | ITUNES HD | $5.50 [NOT MA] DETECTIVE PIKACHU | MA/HD | $6 DEVIL’S DUE | MA/HD | $4 THE DIVERGENT SERIES: INSURGENT | UVHD | $4 [NOT MA] THE DIVERGENT SERIES: INSURGENT | VUDU SD | $3.50 [NOT MA] DJANGO UNCHAINED | VUDU HD | $5.50 [NOT MA] DOCTOR SLEEP | MA/HD | $6 A DOG’S WAY HOME | MA/SD | $4 DOLITTLE | MA/HD | $5.50 DORA AND THE LOST CITY OF GOLD | VUDU HD | $5.50 [NOT MA] DRACULA  | ITUNES | 4 DRACULA UNTOLD | UVHD | $3 DRAGGED ACROSS CONCRETE | VUDU HD OR ITUNES | $7 DRAGONHEART: VENGEANCE | MA/HD | $5.50 DREAMWORKS: 10 MOVIE COLLECTION | MA/HD | $25 DR. SEUSS' THE GRINCH 2018 | MA/HD | $6 E.T | MA/HD | $5 EVERYBODY KNOWS | MA/HD | $7.50 THE EQUALIZER 2 | MA/SD | $3 THE EQUALIZER 2 | MA/HD | $5 THE EXPENDABLES 3 | UVHD | $4 [NOT MA] THE EXPENDABLES 3 | ITUNES | $3 [NOT MA] EXPOSED | VUDU SD | $3.50 [NOT MA] FANTASY ISLAND | MA/HD | $9 FERDINAND | MA/UVHD | $6 FIFTY SHADES OF GREY UNRATED | MA/HD | $4.50 FIFTY SHADES DARKER UNRATED | MA/HD | $4.50 FIFTY SHADES OF BLACK | iTunes | $5 [MA] FIFTY SHADES OF GREY | iTunes 4K | $4.50 FIGHTING WITH MY FAMILY | iTunes HD | $6 [NOT MA] FOCUS PICTURES 10 MOVIE SPOTLIGHT COLLECTION | MA/HD | $45 FORD V FERRARI | MA/HD | $6 THE FOREST | ITUNES | $4.50 THE FORGER | UVHD | $4.50 [NOT MA] FROM DUSK TILL DAWN | VUDU HD OR ITUNES | $8 [NOT MA] GAMBIT | MA/SD | $2.50 THE GAMBLER  | ITUNES | $4.50 [NOT MA] THE GALLOWS | MA/HD | $5.50 THE GALLOWS ACT II | VUDU HD | $7.50 [NOT MA] GIFTED | MA/HD | $5 GODFATHER CODA | VUDU HD OR ITUNES | $8 GODZILLA  | MA/HD | $4.50 GODZILLA 2000 | MA/HD | $6.50 GODZILLA: KING OF THE MONSTERS | MA/HD | $6 THE GOLDFINCH | MA/HD | $7 THE GOLDFINCH | MA/SD | $3.50 A GOOD DAY TO DIE HARD | UVHD | $4.50 GOOD BOYS | MA/HD | $6.50 THE GOOD LIAR | MA/SD | $3.50 THE GOOD LIAR | MA/HD | $7 GOOSEBUMPS | MA/SD | $3 THE GREATEST SHOWMAN ON EARTH | MA/HD | $5.50 GRETEL & HANSEL | VUDU HD | $7.50 [NOT MA] GRETEL & HANSEL | VUDU SD | $4 [NOT MA] GUEST HOUSE | VUDU HD OR ITUNES 4K | $7 [NOT MA] GUNS AKIMBO | VUDU HD OR ITUNES | $8 [NOT MA] HACKSAW RIDGE | UVHD | $3.50 [NOT MA] HACKSAW RIDGE | ITUNES | $3.50 [NOT MA] HALLOWEEN  | MA/HD | $6.50 HAPPY DEATH DAY | MA/HD | $6 HAPPY FEET 1 & 2 | MA/HD | $9 HARRY AND THE HENDERSONS | ITUNES | $4 THE HATE U GIVE | MA/HD | $6 THE HATEFUL EIGHT | VUDU HD | $5.50 HELL FEST | VUDU HD OR ITUNES | $5.50 [NOT MA] HEREDITARY | VUDU HD | $7.50 [NOT MA] THE HIGH NOTE | MA/HD | $7.50 HOLMES & WATSON | MA/SD | $4 HOME ALONE 2 | MA/HD | $5.50 THE HOMESMAN | VUDU HD | $5.50 [NOT MA] HORRIBLE BOSSES | MA/HD | $5 HOT TUB TIME MACHINE 2 | ITUNES | $3 [NOT MA] HOW THE GRINCH STOLE CHRISTMAS  | ITUNES | $4.50 HOW TO TALK TO GIRLS AT PARTIES | UVHD | $6.50 HOW TO TRAIN YOUR DRAGON 2 | MA/HD | $5 HOW TO TRAIN YOUR DRAGON 3 | MA/HD | $7 THE HUNGER GAMES COLLECTION | VUDU HD | $15 [NOT MA] THE HUNGER GAMES: CATCHING FIRE | VUDU HD | $4 [NOT MA] THE HUNT | MA/HD | $7 THE HUSTLE | ITUNES 4K | $7 I AM VENGEANCE: RETALIATION | VUDU HD | $6 [NOT MA] ICE AGE | MA/HD | $4 I FEEL PRETTY | ITUNES HD | $5.50 [NOT MA] INSTANT FAMILY | iTunes 4k | $5.50 THE INTRUDED | MA/HD | $7.50 THE IRON MASK | VUDU HD OR ITUNES | $7 [NOT MA] ISN’T IT ROMANTIC | MA/HD | $7.50 I STILL BELIEVE | VUDU HD OR ITUNES | $7 IT 2 FILMS | MA/HD | $9.50 IT'S A VERY MERRY MUPPET CHRISTMAS | VUDU HD | $6 IT'S A VERY MERRY MUPPET CHRISTMAS | iTunes | $5 JACK RYAN: SHADOW RECRUIT | UVHD | $3.50 [NOT MA] JASON BOURNE  | VUDU HD | $4 JAY AND SILENT BOB REBOOT | VUDU HD OR ITUNES | $6 JIGSAW | VUDU HD OR ITUNES | $4.50 JOBS | VUDU HD | $5.50 JOBS | ITUNES HD | $6 JURASSIC PARK COLLECTION | VUDU HD | $18 [4 FILMS] JURASSIC PARK COLLECTION | MA/HD | $20 [5 FILMS] JUST MERCY | MA/HD | $7 JUST MERCY | MA/SD | $3.50 THE KID WHO WOULD BE KING | MA/HD | $7 KILL BILL VOL.1 | VUDU HD | $6 [NOT MA] THE KILL TEAM | VUDU HD | $8.50 THE KING OF STATEN ISLAND | MA/HD | $7 THE KITCHEN | MA/SD | $3.50 THE KITCHEN | MA/HD | $6 KNOCK KNOCK | VUDU SD | $3.50 [NOT MA] LADY BIRD | VUDU HD | $5.50 [NOT MA] LAST CHRISTMAS | MA/HD | $8 THE LAST FULL MEASURE | VUDU HD OR ITUNES | $7 THE LAST WITCH HUNTER | VUDU SD | $3 THE LEGEND OF TARZAN | MA/HD | $4.50 LEPRECHAUN RETURNS | VUDU HD | $6 LIGHTS OUT | MA/HD | $5.50 LIGHTHOUSE | VUDU HD | $8 LINE OF DUTY | VUDU HD OR ITUNES | $7.50 [NOT MA] LONDON HAS FALLEN | VUDU HD | $4.50 THE LONGEST RIDE | UVHD OR ITUNES 4K | $4.50 LOOPER | MA/HD | $6 LOVE, SIMON | MA/HD | $6 LOVE THE COOPERS | VUDU SD | $3 MA | MA/HD | $5.50 MERCURY PLAINS | VUDU SD | $4 [NOT MA] MIB: INTERNATIONAL | MA/HD | $9.50 MIDDLE SCHOOL: THE WORST YEARS OF MY LIFE | UVHD | $3.50 [NOT MA] MIDDLE SCHOOL: THE WORST YEARS OF MY LIFE | ITUNES | $3 [NOT MA] MIDDLE OF NOWHERE | VUDU SD | $3 [NOT MA] MIDSOMMAR | VUDU HD | $8 [NOT MA] MINIONS | VUDU HD | $4 MINIONS | ITUNES 4K | $4 MISSION IMPOSSIBLE: FALLOUT | VUDU HD | $4.50 [NOT MA] MISS YOU ALREADY | VUDU SD | $3.50 [NOT MA] MONSTER HIGH: WELCOME TO MONSTER HIGH | ITUNES | $3 MORTAL  | VUDU HD OR ITUNES | $8 [NOT MA] MORTAL KOMBAT LEGENDS: SCORPION'S REVENGE | MA/HD | $7 MORTDECAI | UVHD | $4.50 [NOT MA] MOTHER | VUDU HD | $4 [NOT MA] MOTHER | ITUNES | $4 [NOT MA] MOTHERLESS BROOKLYN | MA/SD | $4.50 MY HERO ACADEMIA: MOVIE | FUNIMATION | $7 NINJA TURTLES  | VUDU HD | $4.50 [NOT MA] NINJA TURTLES  | VUDU HD | $4.50 [NOT MA] NOBODY’S FOOL | iTunes | $5 [NOT MA] NO GOOD DEED | MA/HD | $4.50 NON-STOP | ITUNES | $3 OBVIOUS CHILD | UVHD | $5.50 [NOT MA] OUIJA | UVHD | $3 OUIJA | ITUNES | $3 OUIJA: ORIGIN OF EVIL | VUDU HD | $4.50 OUIJA: ORIGIN OF EVIL | ITUNES | $4 OUR BRAND IS CRISIS | MA/HD | $5 OFFICIAL SECRETS | VUDU HD | $5.50 [NOT MA] OFFICIAL SECRETS | ITUNES | $4.50 [NOT MA] ONCE UPON A TIME IN HOLLYWOOD | MA/SD | $3.50 OVERDRIVE | VUDU HD | $4 [NOT MA] OVERDRIVE | ITUNES 4K | $4 [NOT MA] PARASITE | MA/HD | $6 PAVAROTTI | VUDU HD OR ITUNES | $8.50 [NOT MA] PERCY JACKSON: SEA OF MONSTERS | MA/HD | $5.50 PET SEMATARY  | ITUNES 4K | $6 [NOT MA] POPEYE | VUDU HD OR ITUNES | $7.50 [NOT MA] PSYCHO | MA/HD | $6 PLAYING WITH FIRE | ITUNES | $5.50 POMS | ITUNES HD | $5.50 [NOT MA] THE POSSESSION OF HANNAH GRACE | MA/HD | $8 THE PRODIGY | VUDU HD | $7.50 [NOT MA] POWER RANGERS DINO CHARGE HERO | VUDU SD | $3 POWER RANGERS SUPER MEGAFORCE: SKY STRIKE | VUDU SD | $3 PREDATOR COLLECTION | MA/HD | $18 PRICELESS | ITUNES | $4 THE PURGE COLLECTION | MA/HD | $12 [4 FILMS] QUEEN & SLIM | MA/HD | $9 A QUIET PLACE | VUDU HD | $4.50 A QUIET PLACE | ITUNES 4K | $6 RAMBO: FIRST BLOOD | VUDU HD OR ITUNES 4K | $6 [NOT MA] RAMPAGE | MA/HD | $5 READY OR NOT | MA/HD | $9.50 REPLICAS | VUDU HD OR ITUNES | $6.50 [NOT MA] RESIDENT EVIL: DAMNATION | MA/HD | $5.50 RETALIATION | VUDU HD | $8 [NOT MA] ROBIN HOOD | VUDU HD OR ITUNES 4K | $6.50 [NOT MA] THE ROCKY HORROR PICTURE SHOW | MA/HD | $6 ROGUE 2020 | VUDU HD OR ITUNES | $7.50 ROUGH NIGHT | MA/HD | $5 SAW | VUDU HD OR ITUNES | $6.50 [NOT MA] SCOOB! | MA/HD | $5.50 THE SECOND BEST EXOTIC MARIGOLD HOTEL | MA/HD | $6.50 THE SECRET: DARE TO DREAM | VUDU HD OR ITUNES | $6.50 THE SECRET LIFE OF PETS 2 | MA/HD | $6 SERENITY  | MA/HD | $6 SGT. STUBBY: AN AMERICAN HERO | VUDU HD | $6 [NOT MA] SGT. STUBBY: AN AMERICAN HERO | iTunes | $5 [NOT MA] SHAUN THE SHEEP MOVIE | VUDU SD | $3 [NOT MA] SHREK: THE ULTIMATE COLLECTION | MA/HD | $21 SHAFT | MA/HD | $7 THE SILENCING | VUDU HD OR ITUNES | $8 SHIVERS | VUDU HD | $7 [NOT MA] SMILEY FACE KILLERS | VUDU HD OR ITUNES | $7.50 [NOT MA] SNATCHED | ITUNES 4K ⇒ MA | $5.50 SOME KIND OF BEAUTIFUL | VUDU SD | $3.50 SONIC THE HEDGEHOG | VUDU HD OR ITUNES 4K | $6.50 [NOT MA] SPACE JAM | MA/HD | $6.50 SPIDER-MAN: HOMECOMING & FAR FROM HOME | MA/HD | $8 SPIDERMAN: HOMECOMING | MA/HD | $5 SPIDER-MAN: INTO THE SPIDER-VERSE | MA/HD | $6 SPIDER-MAN: INTO THE SPIDER-VERSE | MA/SD | $4 STAR TREK: BEYOND | iTunes 4K | $4 [NOT MA] STAR TREK COLLECTION | ITUNES 4K | $15 [NOT MA] STRAWBERRY SHORTCAKE: BERRY BAKE SHOP | MA/HD | $4 STRAWBERRY SHORTCAKE: BERRY TALES | MA/HD | $4 STRAWBERRY SHORTCAKE: CAMPBERRY STORIES | MA/HD | $4 SULLY | MA/HD | $5 SUPER TROOPERS 2 | MA/HD | $5.50 SURVIVE THE NIGHT | VUDU HD OR ITUNES 4K | $6.50 [NOT MA] THE SWING OF THINGS | VUDU HD OR ITUNES | $7.50 [NOT MA] TEEN TITANS GO! TO THE MOVIES | MA/HD | $6.50 TENET | MA/HD | $9.50 TERMINATOR: DARK FATE | ITUNES 4K | $6 [NOT MA] TOMB RAIDER | VUDU HD | $6.50 TRANSFORMERS COLLECTION + BUMBLEBEE | VUDU HD | $20 TRANSFORMERS COLLECTION + BUMBLEBEE | itunes 4K | $20 TRANSFORMERS: AGE OF EXTINCTION | UVHD | $3.50 [NOT MA] TRANSFORMERS: AGE OF EXTINCTION | ITUNES 4K | $4.50 [NOT MA] TREMORS: SHRIEKER ISLAND | MA/HD | $7.50 TROLLS/TROLLS 2 | MA/HD | $10 TROLLS: WORLD TOUR | MA/HD | $6 THE TURNING | MA/HD | $8 TWILIGHT SAGA: BREAKING DAWN 1 | iTunes | $4 TWILIGHT SAGA: BREAKING DAWN 2 | VUDU HD | $4 TYLER PERRY’S A MADEA FAMILY FUNERAL | VUDU HD OR ITUNES | $6 [NOT MA] TYLER PERRY’S BOO 2! A MADEA HALLOWEEN | VUDU HD | $5.50 [NOT MA] TYLER PERRY’S HELL HATH NO FURY LIKE A WOMAN SCORNED | VUDU SD | $3 UNBROKEN | UVHD | $4 UNBROKEN | ITUNES | $3.50 UNCLE DREW | UVHD OR ITUNES 4K | $6.25 [NOT MA] UNFORGETTABLE | MA/HD | $5.50 UNHINGED | VUDU HD | $7.50 [NOT MA] THE UPSIDE | iTunes HD | $5.50 [NOT MA] US | MA/HD | $5 USS INDIANAPOLIS: MEN OF COURAGE | VUDU HD | $5.00 [NOT MA] VALERIAN AND THE CITY OF A THOUSAND PLANETS | VUDU HD | $4.50 THE VANISHING | VUDU HD | $7.50 VICE | MA/HD | $8 VIVARIUM | VUDU HD OR ITUNES | $9 THE WAR WITH GRANDPA | MA/HD | $9 WARCRAFT | VUDU HD | $4.50 THE WAY BACK | MA/HD | $7.50 WE SUMMON THE DARKNESS | VUDU HD OR ITUNES | $8.50 WHAT MEN WANT | VUDU HD | $5.50 [NOT MA] WHAT MEN WANT | ITUNES 4K | $4 [NOT MA] WHAT WE DID ON OUR HOLIDAY | VUDU SD | $3.50 [NOT MA] WHILE WE’RE YOUNG | VUDU SD | $3 [NOT MA] WIDOWS | MA/HD | $5.50 THE WILD LIFE | ITUNES | $4 WILLY WONKA & THE CHOCOLATE FACTORY: 1971 | MA/HD | $6.50 WONDER PARK | ITUNES | $6 [NOT MA] WORLD WAR Z | VUDU HD | $4.50 [NOT MA] WRONG TURN 6: LAST RESORT | MA/HD | $4.50 XXX: RETURN OF XANDER CAGE | ITUNES 4K | $4 [NOT MA] Z FOR ZACHARIAH | VUDU SD | $3.50 [NOT MA]
BALLERS: S2 | iTunes | $5 BALLERS: S3 | UVHD | $7.50 BALLERS: S3 | iTunes | $5 BAND OF BROTHERS | ITUNES | $8 BAND OF BROTHERS | GP | $7 BATMAN: THE COMPLETE ANIMATED SERIES | VUDU HD | $25 BATMAN BEYOND: TV SHOW | VUDU HD | $25 BIG BANG THEORY: S8 | VUDU HD | $8 BLACK SAILS: THE COMPLETE SERIES | VUDU HD | $18 BLACKLIST: S2 | VUDU HD | $8 CHERNOBYL: S1 | VUDU HD | $8 GOT: S1-S8 | VUDU HD | $32 GOT: S1-S8 | GP | $24 GOT: S4 | VUDU HD | $8 GOT: S4 | ITUNES | $7 GOT: S4 | GP | $7 GOT: S5 | VUDU HD | $8 GOT: S5 | ITUNES | $7 GOT: S5 | GP | $7 GOT: S7 | VUDU HD | $8 GOT: S7 | ITUNES | $7 GOT: S7 | GP | $7 GOT: S8 | ITUNES | $7 GOT: S8 | GP | $5 GOTHAM: S1 | VUDU HD | $8 HANNIBAL: S3 | VUDU SD | $5 [NOT MA] HIS DARK MATERIALS: S1 | VUDU HD | $13.50 THE LAST SHIP: S5 | VUDU HD | $9.50 MY DINNER WITH HERVE | VUDU HD | $4.50 MY DINNER WITH HERVE | ITUNES | $3.50 MY DINNER WITH HERVE | GP | $2 THE OUTSIDER | VUDU HD | $12 RICK & MORTY: S1-S3 | VUDU HD | $20 RICK & MORTY: S2 | VUDU HD | $7 RICK & MORTY: S3 | VUDU HD | $7 RICK & MORTY: S4 | VUDU HD | $12 SCHITT’S CREEK: S1 & S2 | VUDU HD | $9 SHARP OBJECTS | iTunes | $6 SHARP OBJECTS | GP | $4 THE SOPRANOS | VUDU HD | $35 THE SOPRANOS | ITUNES | $28 THE SOPRANOS | GP | $25 SUPERGIRL: S5 | VUDU HD | $9 TRUE DETECTIVE: S3 | VUDU HD | $10 TRUE DETECTIVE: S3 | ITUNES | $7 VEEP: THE FINAL SEASON | VUDU HD | $8 THE WALKING DEAD: S9 | VUDU HD | $10 WATCHMEN: S1 | VUDU HD | $8.50 WESTWORLD: S3 | VUDU HD | $12 THE WIRE | VUDU HD | $35 THE WIRE | ITUNES | $28 THE WIRE | GP | $25
DISNEY ANIMATED & LIVE
101 DALMATIANS | MA | $7
101 DALMATIANS | GP | $6 ALADDIN 2019 | iTunes 4K → MA 4K | $7.50 ALADDIN 2019 | GP | $6 ALADDIN [ANIMATED] | GP | $5 ALADDIN: THE RETURN OF JAFAR | GP | $7 ALADDIN & THE KING OF THIEVES | GP | $7 ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY | MA | $7 ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY | GP | $6 BAMBI 1 | MA | $7 BAMBI 1 | GP | $6 BEAUTY AND THE BEAST [ANIMATED] | GP | $6 BEAUTY AND THE BEAST [LIVE] | iTunes 4K → MA 4K | $6.50 BEAUTY AND THE BEAST [LIVE] | GP | $4.50 BEAUTY AND THE BEAST: THE ENCHANTED XMAS | GP | $7 BIG HERO 6 | 4K UHD/MA | $8.50 BIG HERO 6 | iTunes 4K → MA 4K | $7.50 BIG HERO 6 | GP | $6 BOLT | MA/HD | $8 THE CALL OF THE WILD | 4K UHD/MA | $7.50 THE CALL OF THE WILD | MA/HD | $7 THE CALL OF THE WILD | GP | $6 CHRISTOPHER ROBIN | MA | $7 CHRISTOPHER ROBIN | GP | $6 CINDERELLA [LIVE] | GP | $6 CINDERELLA 1 [ANIMATED] | MA | $7 CINDERELLA 1 [ANIMATED] | GP | $6 DISNEYNATURE: BORN IN CHINA | MA | $7 DUMBO [LIVE] | 4K UHD/MA | $8 DUMBO [LIVE] | iTunes 4K → MA 4K | $7.50 DUMBO [LIVE] | GP | $6 FOX AND THE HOUND 1 | MA | $7 FOX AND THE HOUND 1 | GP | $6 FOX AND THE HOUND 2 | MA | $7 FOX AND THE HOUND 2 | GP | $6 FROZEN 1| 4K UHD/MA | $8 FROZEN 1| GP | $6 FROZEN 2 | 4K UHD/MA | $9 FROZEN 2 | iTunes 4K → MA 4K | $8 FROZEN 2 | GP | $7.50 HERCULES | MA | $7.50 HOCUS POCUS | 4K UHD/MA | $7.50 HOCUS POCUS | GP | $6 THE JUNGLE BOOK [LIVE] | 4K UHD/MA | $9 THE JUNGLE BOOK [LIVE] | iTunes 4K → MA 4K | $7.50 THE JUNGLE BOOK [LIVE] | GP | $6 THE JUNGLE BOOK 2 [ANIMATED] | MA | $7 LADY AND THE TRAMP | GP | $6.50 LILO & STITCH 2 | MA | $7 LILO & STITCH 2 | GP | $6 LION KING [LIVE] | iTunes 4K → MA 4K | $7.50 LION KING [LIVE] | GP | $6 LION KING [ANIMATED] | 4K UHD/MA | $9 LION KING [ANIMATED] | iTunes 4K → MA 4K | $7.50 LION KING [ANIMATED] | GP | $6 LION KING 1.5 | MA | $7.50 LION KING 1.5 | GP | $6.50 THE LITTLE MERMAID | 4K UHD/MA | $9 THE LITTLE MERMAID II: RETURN TO THE SEAS | MA | $6.50 THE LITTLE MERMAID II: RETURN TO THE SEA | GP | $5.50 THE LITTLE MERMAID III: ARIEL’S BEGINNING | MA | $6 THE LITTLE MERMAID III: ARIEL’S BEGINNING | GP | $5.50 THE LONE RANGER | MA | $7 THE LONE RANGER | GP | $6 MALEFICENT | 4K UHD/MA | $9 MALEFICENT | iTunes 4K → MA 4K | $7.50 MALEFICENT | GP | $6 MALEFICENT: MISTRESS OF EVIL | 4K UHD/MA | $9 MALEFICENT: MISTRESS OF EVIL | iTunes 4K → MA 4K | $7.50 MALEFICENT: MISTRESS OF EVIL | GP | $6 MARY POPPINS RETURNS | iTunes 4K → MA 4K | $7.50 MARY POPPINS RETURNS | GP | $6 MARY POPPINS  | GP | $6.50 MOANA | 4K UHD/MA | $8 MOANA | iTunes 4K → MA 4K | $7 MOANA | GP | $6 MULAN 2020 | 4K UHD/MA | $7.50 MULAN 2020 | MA | $6 MULAN 2020 | GP | $4.50 MULAN 1 | 4K UHD/MA | $7 MULAN 1 | iTunes 4K → MA 4K | $6 MULAN 1 | GP | $5 MULAN 2 | MA | $7 MULAN 2 | GP | $6 THE MUPPET MOVIE  | GP | $7 MUPPETS MOST WANTED | MA | $8 MUPPETS MOST WANTED | GP | $7 THE NUTCRACKER AND THE FOUR REALMS | 4K UHD/MA | $9 THE NUTCRACKER AND THE FOUR REALMS | iTunes 4K → MA 4K | $7.50 THE NUTCRACKER AND THE FOUR REALMS | GP | $6 OLAF’S FROZEN ADVENTURE | MA | $7 OLAF’S FROZEN ADVENTURE | GP | $6 OZ: THE GREAT AND POWERFUL | MA | $7 OZ: THE GREAT AND POWERFUL | GP | $6 PETE’S DRAGON | MA | $7 PETE’S DRAGON | GP | $6 PIRATES 5 | iTunes 4K → MA 4K | $7 PIRATES 5 | GP | $6 PLANES | GP | $6 PLANES: FIRE & RESCUE | GP | $6 POCAHONTAS 1 | MA | $7 POCAHONTAS 2 | MA | $7 POCAHONTAS 2 | GP | $6 THE PRINCESS AND THE FROG | 4K UHD/MA | $8 THE PRINCESS AND THE FROG | iTunes 4K → MA 4K | $7.50 THE PRINCESS AND THE FROG | GP | $6 QUEEN OF KATWE | MA | $7 QUEEN OF KATWE | GP | $6 ROBIN HOOD [ANIMATED] | MA | $7.50 ROBIN HOOD [ANIMATED] | GP | $6 SANTA CLAUSE 1 | iTunes 4K → MA 4K | $7.50 SANTA CLAUSE 3 | iTunes 4K → MA 4K | $7.50 SANTA CLAUSE TRILOGY | iTunes 4K → MA 4K | $17 SANTA CLAUSE TRILOGY | GP | $14 WD: SHORT FILM COLLECTION | MA | $7 WD: SHORT FILM COLLECTION | GP | $6 SLEEPING BEAUTY | MA | $7 SLEEPING BEAUTY | GP | $6 SNOW WHITE AND THE SEVEN DWARFS | MA | $7 SPIES IN DISGUISE | MA | $7.50 SPIES IN DISGUISE | GP | $6 TANGLED | iTunes 4K → MA 4K | $8 TANGLED | GP | $6 THE SWORD IN THE STONE | MA | $7 TOMORROWLAND | GP | $6.50 A WRINKLE IN TIME | iTunes 4K → MA 4K | $8 A WRINKLE IN TIME | GP | $6 ZOOTOPIA | 4K UHD/MA | $9 ZOOTOPIA | iTunes 4K → MA 4K | $7.50 ZOOTOPIA | GP | $6
BRAVE | 4K UHD/MA | $9 BRAVE | iTunes 4K → MA 4K | $8 BRAVE | GP | $6 A BUG’S LIFE | 4K UHD/MA | $8 A BUG’S LIFE | iTunes 4K → MA 4k | $7.50 A BUG’S LIFE | GP | $6.50 CARS 1 | 4K UHD/MA | $8.50 CARS 1 | GP | $6 CARS 3 | GP | $5 COCO | iTunes 4K → MA 4K | $8 COCO | GP | $6 FINDING DORY | 4K UHD/MA | $8 FINDING DORY | ITunes 4K → MA 4K | $6 FINDING DORY | GP | $4.50 FINDING NEMO | 4K UHD/MA | $8 FINDING NEMO | iTunes 4K → MA 4K | $7 FINDING NEMO | GP | $6 THE GOOD DINOSAUR | 4K UHD/MA | $8 THE GOOD DINOSAUR | iTunes 4K → MA 4K | $7 THE GOOD DINOSAUR | GP | $6 THE INCREDIBLES 2 | iTunes 4K → MA 4K | $7 THE INCREDIBLES 2 | GP | $6 INSIDE OUT | 4K UHD/MA | $8 INSIDE OUT | iTunes 4K → MA 4K | $7 INSIDE OUT | GP | $6 MONSTERS, INC | ITUNES 4K → MA 4K | $7.50 MONSTERS, INC | GP | $6 MONSTERS UNIVERSITY | 4K UHD/MA | $8 MONSTERS UNIVERSITY | GP | $6 THE NIGHTMARE BEFORE CHRISTMAS | MA | $7 THE NIGHTMARE BEFORE CHRISTMAS | GP | $6 ONWARD | 4K UHD/MA | $8 ONWARD | MA/HD | $6 ONWARD | GP | $5 RALPH BREAKS THE INTERNET | 4K UHD/MA | $6.50 RALPH BREAKS THE INTERNET | iTunes 4K → MA 4K | $6 RALPH BREAKS THE INTERNET | GP | $5 RATATOUILLE | GP | $5 TOY STORY OF TERROR | GP | $7 TOY STORY 1 | GP | $6 TOY STORY 3 | 4K UHD/MA | $9 TOY STORY 3 | GP | $6 TOY STORY 4 | MA | $4.50 UP | iTunes 4K → MA 4K | $8 UP | GP | $7 WALL-E | 4K UHD/MA | $8.50 WALL-E | iTunes 4K → MA 4K | $7.50 WALL-E | GP | $7 WRECK IT RALPH | 4K UHD/MA | $10
AQUAMAN | MA/HD | $5 BATMAN V. SUPERMAN: DAWN OF JUSTICE | MA/HD | $6 BIRDS OF PREY | MA/HD | $9.50 DCU: BATMAN & HARLEY QUINN | MA/HD | $6.50 DCU: JUSTICE LEAGUE: WAR | MA/HD | $6.50 THE DEATH AND RETURN OF SUPERMAN | MA/HD | $8.50 DEATHSTROKE: KNIGHTS & DRAGONS | MA/HD | $7 JUSTICE LEAGUE | MA/HD | $5.50 JUSTICE LEAGUE DARK: APOKOLIPS WAR | MA/HD | $9.50 JUSTICE LEAGUE THRONE OF ATLANTIS | MA/HD | 6.50 LEGO BATMAN: DC SUPER HEROES UNITE | MA/HD | $6 REIGN OF THE SUPERMAN | MA/HD | $6 SHAZAM | MA/HD | $5.50 SHAZAM! & WONDER WOMAN | MA/HD | $10 SUPERMAN: MAN OF TOMORROW | MA/HD | $6.50 SUPERMAN: RED SON | MA/HD | $6.50 WONDER WOMAN: BLOODLINES | MA/HD | $6.50
ANT-MAN | GP | $6 ANT-MAN & THE WASP | 4K UHD/MA | $7.50 ANT-MAN & THE WAS | GP | $6 AVENGERS 1 | GP | $6 AVENGERS: AGE OF ULTRON | 4K UHD/MA | $8 AVENGERS: AGE OF ULTRON | iTunes 4K → MA 4K | $7 AVENGERS: AGE OF ULTRON | GP | $5.50 AVENGERS: INFINITY WAR | iTunes 4K → MA 4K | $7.50 AVENGERS: INFINITY WAR | MA | $7 AVENGERS: INFINITY WAR | GP | $6 AVENGERS: ENDGAME | 4K UHD/MA | $7 AVENGERS: ENDGAME | iTunes 4K → MA 4K | $6 AVENGERS: ENDGAME | GP | $5 BLACK PANTHER | 4K UHD/MA | $9 BLACK PANTHER | iTunes 4K → MA 4K | $7.50 BLACK PANTHER | GP | $6 CAPTAIN AMERICA: THE FIRST AVENGER | iTunes 4K → MA 4K | $7.50 CAPTAIN AMERICA: THE FIRST AVENGER | GP | $6 CAPTAIN AMERICA: THE WINTER SOLDIER | 4K UHD/MA | $9 CAPTAIN AMERICA: CIVIL WAR | 4K UHD/MA | $8.50 CAPTAIN AMERICA: CIVIL WAR | GP | $6 CAPTAIN MARVEL | 4K UHD/MA | $8 CAPTAIN MARVEL | iTunes 4K → MA 4K | $7.50 CAPTAIN MARVEL | GP | $6 DR. STRANGE | 4K UHD/MA | $8.50 DR. STRANGE | iTunes 4K → MA 4K | $7.50 DR. STRANGE | GP | $6 GUARDIANS VOL. 1 | 4K UHD/MA | $9 GUARDIANS VOL. 1 | GP | $6 GUARDIANS VOL. 2 | iTunes 4K → MA 4K | $7.50 GUARDIANS VOL. 2 | GP | $6 THE INCREDIBLE HULK | 4K UHD/MA | $7.50 IRON MAN 1 | GP | $5 IRON MAN 2 | 4K UHD/MA | $8 IRON MAN 2 | GP | $6 IRON MAN 3 | 4K UHD/MA | $8 IRON MAN 3 | GP | $6 THE NEW MUTANTS | MA | $7 THE NEW MUTANTS | GP | $7 THOR 1 | GP | $5 THOR: THE DARK WORLD | 4K UHD/MA | $9 THOR: THE DARK WORLD | GP | $5.50 THOR: RAGNAROK | 4K UHD/MA | $8 THOR: RAGNAROK | iTunes 4K → MA 4K | $7 THOR: RAGNAROK | GP | $5.50 X-MEN: BEGINNINGS TRILOGY | MA/HD | $16
ROGUE ONE: A STORY | iTunes 4K → MA 4K | $7.50 ROGUE ONE: A STAR WARS STORY | GP | $5 SKYWALKER SAGA | GP | $35 [9 FILMS] STAR WARS 4-6 | 4K UHD/MA | $22.50 STAR WARS 1-6 | GP | $25 STAR WARS 1 | GP | $6.50 STAR WARS 4 | GP | $5.50 STAR WARS 5 | GP | $5.50 STAR WARS 6 | GP | $5.50 STAR WARS: THE FORCE AWAKENS | 4K UHD/MA | $8 STAR WARS: THE FORCE AWAKENS | iTunes 4K → MA 4K | $7 STAR WARS: THE FORCE AWAKENS | GP | $5 STAR WARS: THE LAST JEDI | iTunes 4K → MA 4K | $6.50 STAR WARS: THE LAST JEDI | GP | $4 STAR WARS: THE RISE OF SKYWALKER | 4K UHD/MA | $9 STAR WARS: THE RISE OF SKYWALKER | iTunes 4K → MA 4K | $8 STAR WARS: THE RISE OF SKYWALKER | GP | $7
(SELLING) THE WAR W/GRANDPA + JU JITSU+ TENET + ECHO BOOMERS + THE WOLF OF SNOW HOLLOW + THE NEW MUTANTS 4K + UNHINGED + MULAN + ANTEBELLUM 4K + BILL & TED 3 + MANY MORE. DONT MISS THE LINK TO MY SECONDARY LIST AT BOTTOM OF MY PRIMARY LIST. THANKS FOR LOOKING ;-)
All codes are HD unless listed otherwise. All codes are $4 Each unless price listed. 101 DALMATIANS (GP) $6 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (SPLIT) (VUDU OR ITUNES 4K) 1917 (MA) $6 21 BRIDGES (ITUNES 4K) $6 300 RISE OF AN EMPIRE (MA) 3022 (SPLIT) (VUDU $6 OR ITUNES $4) 42: THE JACKIE ROBINSON STORY (MA) ACTION POINT (SPLIT) ITUNES $3 AD ASTRA (MA) $5 ADAM'S FAMILY (ITUNES 4K) $8 ADRIFT (ITUNES) ADVENTURES OF TIN TIN-THE (SPLIT) (VUDU OR ITUNES) ALADDIN 2019 (MA 4K $8 OR GP $6) ALIEN ANTHOLOGY (4 FILM BUNDLE) VD $15 ALIEN COVENANT (VUDU OR ITUNES 4K PORTS) ALITA BATTLE ANGEL (MA) $6 ALMOST CHRISTMAS (SPLIT) VUDU OR ITUNES) AMERICAN MADE (MA) $5 AMERICAN REUNION (UNDATED) (2012) (SPLIT) VUDU OR ITUNES ANGEL HAS FALLEN 4K (VUDU OR ITUNES) $8 ANNA (4K) (VUDU OR ITUNES) $6 ANNIE (2014) (MA) (SD) ANNIHILATION (SPLIT) VUDU OR ITUNES 4K) ANTEBELLUM 4K (VUDU OR ITUNES) $10 ANTMAN & THE WASP (GP $6) ANTMAN (GP $6) APPARITION-THE (MA) 2012 AQUAMAN (MA) $5 ARKANSAS (VUDU OR ITUNES) $7 ARRIVAL (SPLIT) VUDU ART OF RACING IN THE RAIN-THE (MA) $7 ASSISSANS CREED (VUDU OR ITUNES 4K) ATOMIC BLONDE (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $4) AVENGERS ENDGAME (SPLIT) MA(HD)/ITUNES 4K $7 OR (GP $5) AVENGERS I.W (SPLIT) (MA $6 OR GP $5) BACKDRAFT 2 (MA) BAD BOYS FOR LIFE (MA 4K $8 OR HD $6) BAD MOMS CHRISTMAS-A (ITUNES) BAD TIMES AT THE EL ROYAL (MA) $5 BALLERS S2 (SPLIT) (ITUNES) BALLERS S3 (SPLIT) (VUDU OR ITUNES) BARBER SHOP THE NEXT CUT (VUDU) BATMAN BEYOND: THE COMPLETE SERIES $25 BATMAN VS TEENAGE MUTANT NINJA TURTLES (MA) $6 BAYWATCH (SPLIT) (VUDU 4K $5 OR VD HD $4 OR ITUNES 4K $4) BEAUTY & THE BEAST (LIVE) (SPLIT) MA $4 OR GP $2 BEGUILED (MA) BEST OF ENEMIES-THE (ITUNES) BILL & TED FACE THE MUSIC (VD $$6.50) BIRDS OF PREY (MA) 4K $9 OR HD $7 BLACK CHRISTMAS (MA) $7 BLACK PANTHER (SPLIT) (MA 4K $8 OR MA(HD)/🍏4K $7 OR GP $6) BLOODSHOT (MA) $8 BOOK CLUB (ITUNES 4K) $2 BOOKSMART (MA) $6 BOSS BABY-THE (MA) BOY 2-THE (ITUNES 4K) $6.50 BRAVE (SPLIT) (MA $7 OR GP $6) BREAKING IN (MA) BREAKTHROUGH (MA) $6 BUGS LIFE-A (SPLIT) (MA $7 OR GP $6) BUMBLEBEE (SPLIT) (VUDU 4K $6 OR VUDU $4 OR ITUNES 4K) $2 BUTTONS A CHRISTMAS TALE (SPLIT) ITUNES BYE BYE MAN (UNRATED) (SPLIT) (ITUNES) CALL OF THE WILD (SPLIT) (MA) 4K $9, HD $6 OR GP $3) CAPTAIN AMERICA WINTER SOLDIER (MA 4K $7) CAPTAIN MARVEL (GP) CAPTAIN UNDERPANTS FIRST EPIC MOVIE (MA) CARS 3 (NP) (MA(HD)/ITUNES 4K$6 OR GP $5) CASINO 4K (MA) (1995) $5 CATS & DOGS 3 :PAWS UNITE (MA) $8 CHRISTOPHER ROBIN (2018) SPLIT (MA $7) OR GP $5 COMING TO AMERICA 4K (ITUNES) $7 CORRUPTED-THE (VUDU $5 OR ITUNES) $4 COUNTDOWN (ITUNES 4K) $5 CRAWL (SPLIT) (VUDU OR ITUNES 4K) $6 CRAZY, STUPID, LOVE (MA OR VD) CREED 2 (VD) CULT OF CHUCKY(UNRATED) (SPLIT) (ITUNES) CURE FOR WELLNESS-A (SPLIT) VUDU OR ITUNES) DADDY'S HOME 2 (SPLIT) VUDU OR ITUNES 4K) DALLAS BUYERS CLUB (VUDU OR ITUNES) DARK KNIGHT RISES-THE (MA) DARKEST MINDS-THE (MA) DEADWOOD THE MOVIE (VD) $5 DEATH WISH (VUDU) DEEP BLUE SEA 3 (MA) $8 DEEP WATER HORIZON (4K) (VUDU OR ITUNES) $6.50 DEN OF THIEVES (ITUNES) DIVERGENT (VUDU) DJANGO UNCHAINED (VUDU) DOLPHIN TALE 2 (MA) DOLITTLE (MA) $7 DOOM ANNIHILATION (MA) $5 DOORMAN-THE (VUDU OR ITUNES 4K) $7 DORA & THE LOST CITY OF GOLD (VUDU $5 OR ITUNES 4K $4) DOWNSIZING (SPLIT) VUDU OR ITUNES 4K) DUNKIRK (MA) ECHO BOOMERS (VUDU OR ITUNES) $6.50 ENDERS GAME (VUDU OR ITUNES 4K) ESCAPE PLAN (2013) VUDU E.T-THE EXTRA TERRESTRIAL (SPLIT) (VUDU OR ITUNES) FAHRENHEIT 451 (SPLIT) (ITUNES) FAST & THE FURIOUS #6 - EXTENDED VERSION (SPLIT) (VUDU OR MA) FAST & THE FURIOUS #7 EXTENDED VERSION (SPLIT) (VUDU OR MA) FAST & THE FURIOUS #8 - FATE OF THE FURIOUS EXTENDED VERSION (SPLIT) (VUDU OR ITUNES 4K FAST & THE FURIOUS #9 HOBBS & SHAW (MA) $5 FAVOURITE-THE (2018) (MA) $8 FIFTY SHADES DARKER UNRATED (SPLIT) (VUDU OR ITUNES 4K ) FIFTY SHADES OF GREY (SPLIT) (VUDU OR ITUNES 4K) FINDING DORY (SPLIT) (MA(HD) OR 🍏4K $6) NP OR (GP $4) FIRST MAN (MA) $6 FIRST PURGE-THE (MA) $5 FOCUS (2015) (MA) FORD V FERRARI (MA 4K $8 OR HD $6) FOUR KIDS & IT (VD) $6 FOX & THE 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